On January 1, 2009, the song "Musammian Ras Bharian" was released by Naseebo Lal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Pher Wee Poochhna Aen Rate Kee We, Vol. 41". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Musammian Ras Bharian's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Musammian Ras Bharian by Naseebo Lal having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chad Jaween Na Channa | Nooran Lal | D♭ Major | 7 | 3B | 91 BPM | ||
| Daru | Durga Rangila | A♭ Major | 9 | 4B | 156 BPM | ||
| Surma | Naseebo Lal | A♭ Minor | 9 | 1A | 102 BPM | ||
| Viah Karva Baithi | Didar Sandhu, Amar Noorie | F♯ Major | 8 | 2B | 113 BPM | ||
| Gal Hundi Hundi Reh Gayi | Avtar Chamak, Aman Jot | D♭ Minor | 7 | 12A | 127 BPM | ||
| Ni Aj Mera Ji Karda | Nooran Lal | D♭ Major | 9 | 3B | 117 BPM | ||
| Ghagra Sambhal | Sardool Sikander | B Major | 8 | 1B | 90 BPM | ||
| Driver 4 | Amarjit Nagina, Gurlez Akhtar & Pooja | F♯ Major | 9 | 2B | 160 BPM | ||
| Akhian Bukhian Tasian | Shafullah Khan Rokhrhi | B♭ Minor | 7 | 3A | 172 BPM | ||
| Mair Dele Naina | Pawan | A♭ Major | 8 | 4B | 140 BPM | ||
| Gulabi | Sabar Koti | D♭ Major | 9 | 3B | 98 BPM | ||
| Nahir De Kande Khari Ik Mutair | Didar Sandhu, Amar Noorie | G Major | 3 | 9B | 131 BPM | ||
| Telephone Te Na Roiya Kar | Anmol Virk | G Major | 10 | 9B | 93 BPM | ||
| Saday Peyar Pichay Aiyan | Shafaullah Khan Rokhri | B♭ Minor | 7 | 3A | 81 BPM | ||
| Keene Band Vajaata | Amarjeet Nagina, Param Brar | G Major | 7 | 9B | 98 BPM | ||
| Loarh Nahin Yaraane Laun Di | Jaswinder Brar | D♭ Major | 7 | 3B | 81 BPM | ||
| Toomba | Surjit Bindrakhia | E Minor | 9 | 9A | 162 BPM | ||
| Apne Guru Nu Bhuleo Na | Vijay Hans | B♭ Minor | 8 | 3A | 172 BPM | ||
| Menon Heth Bhullan De Rakh Sajna | Naseebo Lal | E Minor | 8 | 9A | 186 BPM | ||
| Haar Ni Majane | Kabal Rajasthani | D♭ Minor | 10 | 12A | 117 BPM | ||
| Tere Naal Dil Lagda | Sufi-Punjabi | F Minor | 8 | 4A | 178 BPM | ||
| Budhey Warey Vi Ishq | Naseebo Lal | F Major | 9 | 7B | 144 BPM | ||
| Pauna Bhangra Punjabi | Naseebo Lal & Akram Rahi | G Minor | 9 | 6A | 108 BPM | ||
| Tere Sadqe Ve Dildara | Nooran Lal | B Minor | 8 | 10A | 104 BPM | ||
| U.P.Ch Black Chaldi | Gurmeet Maan | F Minor | 9 | 4A | 80 BPM |