Diverse's ' "Explosive - Caural Mix" was released on its scheduled release date, February 27, 2006. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 19 in Final Fight Streetwise by Diverse. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Explosive - Caural Mix is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Explosive - Caural Mix by Diverse is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Bond Remains | Pinar Toprak, Gerrit Wunder | C Major | 6 | 8B | 137 BPM | ||
| In the Hands of Mortals | John Ottman | E♭ Minor | 1 | 2A | 75 BPM | ||
| Okinawa Battlefield | Rupert Gregson-Williams | E Minor | 2 | 9A | 110 BPM | ||
| Stargate Overture | HeimburgerMusic | C Major | 1 | 8B | 89 BPM | ||
| The Anvil of Crom (Form "CONAN THE BARBARIAN") | Basil Poledouris | G Minor | 4 | 6A | 123 BPM | ||
| Break Out | Brian May | G Minor | 1 | 6A | 102 BPM | ||
| Eliza's Theme | John Debney | D♭ Major | 2 | 3B | 160 BPM | ||
| Prologue / Main Title | Stu Phillips | F Major | 0 | 7B | 71 BPM | ||
| Splinter Cell: Conviction | Amon Tobin, Kaveh Cohen, Michael Nielsen, Andrew Skeet, London Philharmonic Orchestra | F♯ Minor | 4 | 11A | 95 BPM | ||
| JD Dies | Elliot Goldenthal | A♭ Major | 0 | 4B | 82 BPM | ||
| Full Circle | Iva Davies, Christopher Gordon, Richard Tognetti | E Major | 1 | 12B | 68 BPM | ||
| New Mexico - K-Pax (Original Motion Picture Soundtrack) | Ed Shearmur, Edward Shearmur | G Major | 1 | 9B | 171 BPM | ||
| Star Trek Generations Overture | Dennis McCarthy | E♭ Major | 2 | 5B | 169 BPM | ||
| Farewell | Roque Baños | F Major | 0 | 7B | 79 BPM | ||
| The Auryn | Klaus Doldinger | F Major | 1 | 7B | 64 BPM | ||
| Las Dos Caras | Bellum Sanctus | D Minor | 2 | 7A | 138 BPM | ||
| Looking For Me | Basil Poledouris | F Minor | 3 | 4A | 134 BPM | ||
| T3 | Marco Beltrami | D♭ Major | 4 | 3B | 120 BPM | ||
| The Nexus / A Christmas Hug | Dennis McCarthy | A♭ Major | 1 | 4B | 67 BPM | ||
| Prot Missing - K-Pax (Original Motion Picture Soundtrack) | Edward Shearmur | F Minor | 2 | 4A | 128 BPM | ||
| Das Boot | Klaus Doldinger | D Minor | 3 | 7A | 75 BPM | ||
| Battlestar Galactica Theme | Stu Phillips | C Major | 5 | 8B | 96 BPM | ||
| Star Trek Picard Main Title | Jeff Russo | D Major | 3 | 10B | 114 BPM | ||
| End Credits | Star Trek - First Contact | F Major | 2 | 7B | 54 BPM | ||
| Linlithgow Palace | BBC Scottish Symphony Orchestra | F Minor | 0 | 4A | 100 BPM |