Mahendra Singh Rathore's ' "Aavdo Padela Mataji" was released on its scheduled release date, August 18, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 9 in Chamunda Ri Chundri by Mahendra Singh Rathore. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Aavdo Padela Mataji is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Aavdo Padela Mataji by Mahendra Singh Rathore is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Harudiyo Ne Aglo Balo | Mahendra Singh Rathore | F Minor | 8 | 4A | 95 BPM | ||
| Tune Thag Liya Hume Kanhiya | Meenu Sharma | G Minor | 9 | 6A | 85 BPM | ||
| Haath Daal Talwar Bhawani | Mahendra Singh Rathore | F♯ Major | 10 | 2B | 94 BPM | ||
| Balaji Mera Rog Kaat De | Narender Kaushik | G Major | 10 | 9B | 129 BPM | ||
| Mere Lagya Opra Rog Marghat Aali | Mukesh Sharma | E♭ Major | 10 | 5B | 134 BPM | ||
| Meri Barsane Kutiya Banade Ladli | Pooja Sakhi | D♭ Major | 9 | 3B | 104 BPM | ||
| Govind Lagla Chhand Manala | Radha Krishna Maharaj | D♭ Major | 9 | 3B | 81 BPM | ||
| Sakha Sab Prem Se Bolo | Pammi Thakur | G Major | 9 | 9B | 154 BPM | ||
| Main Na Bhulunga | Narender Kaushik | G Major | 10 | 9B | 150 BPM | ||
| Suwa Title Music Tari Hari Nana Suwa Geet | Bhupendra Sahu | G Major | 5 | 9B | 69 BPM | ||
| Meri Kismat Buland Raton Rat Ho Gai | Ram Kumar Lakkha | G Minor | 10 | 6A | 100 BPM | ||
| Manne Ho Gaya Tere Se Pyar | Tarun Baliyan | G Major | 9 | 9B | 80 BPM | ||
| Ye Meri Arzi Hai-Unplugged | Sadhvi Purnima Ji, Suraj Vishwakarma | E♭ Major | 4 | 5B | 82 BPM | ||
| Aayo Nandgam Se Hori Khelan Holi | Chitra Vichitra Ji Maharaj | F Minor | 9 | 4A | 142 BPM | ||
| Mor Naam Howan To Dete | Hiresh Sinha | E Major | 8 | 12B | 78 BPM | ||
| Jalalane Diye Mittiye | Rehmat Records, Gurpreet Sidhu | B Major | 9 | 1B | 88 BPM | ||
| Sita Ram Hanuman Sita Ram Hanuman | RJ Shivam | A♭ Major | 10 | 4B | 85 BPM | ||
| Maiya Naam Japle | Rajni Rajasthani | A♭ Major | 7 | 4B | 130 BPM | ||
| Banda Sa Lage Shyam | Rajni Rajasthani | F♯ Minor | 7 | 11A | 90 BPM | ||
| Dilshad Zakhmi Ki Ghazal | Dilshad Zakhmi | B Major | 9 | 1B | 126 BPM | ||
| Chod Kar Tera Shahar | Tahir Chishti | C Minor | 9 | 5A | 154 BPM | ||
| Dulha Bane Hai Shri Ram | Pandit Gaurangi Gauri Ji | G Major | 8 | 9B | 170 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Aai Re Aai Ek Nai Sajaniya | Meenu Sharma | B♭ Minor | 9 | 3A | 140 BPM | ||
| Aaja Aaja Maine Tujhko Yaad Kiya | Arshad Kamli | F♯ Major | 9 | 2B | 156 BPM |