The Clientele's 'Driving South' had a release date set for November 28, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 23 in the song's album "Suburban Light (Remastered)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Driving South is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Driving South by The Clientele having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Return From The Ice | Acetone | D Major | 2 | 10B | 152 BPM | ||
| Innerspace | The Apples In Stereo, Robert Schneider | E Major | 5 | 12B | 94 BPM | ||
| When I Came Home from the Party | The Clientele | D Major | 7 | 10B | 112 BPM | ||
| Melancholy Man | The Wake | A Minor | 7 | 8A | 159 BPM | ||
| Lulu | Jackson MacIntosh | D♭ Major | 4 | 3B | 79 BPM | ||
| Bewitched | Luna | G Major | 2 | 9B | 132 BPM | ||
| Adriana | Montero | D♭ Minor | 6 | 12A | 125 BPM | ||
| Broken Dreams Club | Girls | C Major | 6 | 8B | 120 BPM | ||
| My Offwhite Flag | Dirty Projectors | B Major | 7 | 1B | 119 BPM | ||
| Good Moon | Michael Nau | F♯ Major | 2 | 2B | 122 BPM | ||
| Let Me Get There | Hope Sandoval & The Warm Inventions, Kurt Vile | D Major | 5 | 10B | 81 BPM | ||
| Drift | Golden Daze | F♯ Major | 6 | 2B | 117 BPM | ||
| As You Turn to Go | The 6ths, Momus | C Major | 8 | 8B | 126 BPM | ||
| Saved | Bonny Doon | C Major | 3 | 8B | 143 BPM | ||
| Veteran's Day | Cut Worms | D Major | 4 | 10B | 148 BPM | ||
| Good as Gone | BOYO | C Major | 5 | 8B | 180 BPM | ||
| Hamilton Road | Ducktails | D♭ Major | 8 | 3B | 112 BPM | ||
| Sail of the Silver Morning | Cotton Jones | D Major | 8 | 10B | 209 BPM | ||
| Luxury of Lull | Slow Hollows | E♭ Major | 5 | 5B | 105 BPM | ||
| Stop Tonight | Yellowbirds | C Major | 8 | 8B | 110 BPM | ||
| Ain't Horrible | Crepes | G Major | 4 | 9B | 127 BPM | ||
| Like Going Down Sideways | Cut Worms | E Major | 5 | 12B | 143 BPM | ||
| Home at Last | HOMESHAKE | A Minor | 5 | 8A | 85 BPM | ||
| Days Go By | Sean Nicholas Savage | E Major | 8 | 12B | 93 BPM | ||
| I Ran With Love But Couldn't Keep Up | Spectrals | F♯ Minor | 7 | 11A | 117 BPM |