"I Got Rhythm Variations" by Ensemble Opus 16, Jacques Pesi had its release date on February 3, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Rhapsody in Blue". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, I Got Rhythm Variations's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With I Got Rhythm Variations by Ensemble Opus 16, Jacques Pesi having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonate pour basson avec accompagnement piano Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Laurent Lefèvre, Emmanuel Strosser | E♭ Major | 0 | 5B | 66 BPM | ||
| VII. Death of Tybalt | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | D Major | 1 | 10B | 104 BPM | ||
| Sextet for Wind Quintet & Piano, FP 100: I. Allegro vivace: Tres vite et emporte | Francis Poulenc, Philippe Bernold, Olivier Doise, Ronald Van Spaendonck, Laurent Lefèvre, Hervé Joulain, Alexandre Tharaud | A Minor | 1 | 8A | 140 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | D Minor | 2 | 7A | 141 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): X. The Great Gates of Kyiv - Live | Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado | E♭ Major | 2 | 5B | 77 BPM | ||
| Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra | A Major | 2 | 11B | 74 BPM | ||
| Clarinet Sonata, Fp 184: Allegro tristemente: Allegretto - Tres calme - Tempo allegretto | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud | A Minor | 0 | 8A | 70 BPM | ||
| Dance of Youth | Canadian Brass | D Minor | 1 | 7A | 125 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch, Boston Symphony Orchestra | A Major | 3 | 11B | 90 BPM | ||
| Concerto No. 2, Op. 14: II. Andante | Nikolai Kapustin, Dmitry Masleev, Vladimir Lande, Siberian State Symphony Orchestra | F Minor | 2 | 4A | 117 BPM | ||
| Porgy and Bess: I. Summertime - A Woman Is a Sometime Thing (Arr. J. Heifetz) | George Gershwin, Matthew Trusler, Wayne Marshall | F♯ Major | 2 | 2B | 107 BPM | ||
| Meditative Flow | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
| Suite for Cello & Jazz Piano Trio: I. Baroque in Rhythm - Instrumental | Claude Bolling, Yo-Yo Ma | G Major | 1 | 9B | 113 BPM | ||
| Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
| Somewhere | Bill Charlap Trio | E♭ Major | 0 | 5B | 68 BPM | ||
| Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: III. Rondo. Allegretto | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | F Major | 1 | 7B | 144 BPM | ||
| West Side Story: I. Prologue | Leonard Bernstein, Leonard Bernstein Orchestra | E Major | 1 | 12B | 66 BPM | ||
| Mussorgsky: Pictures at an Exhibition: No. 14, The Hut on Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 87 BPM | ||
| Concert Piece No. 1 in F Minor, Op. 11 - Arr. for Trumpet and Salon Orchestra | Willy Brandt, Matthias Höfs, Hamburg Philharmonic Soloists | F Minor | 1 | 4A | 109 BPM | ||
| Tuba Concerto: I. Allegro moderato | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | F Major | 1 | 7B | 117 BPM | ||
| Invention à 2 voix No 8 en fa majeur BWV 779 | Jacques Loussier | F Major | 3 | 7B | 87 BPM | ||
| Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4d, Pas de trois. Moderato | Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra | B Major | 3 | 1B | 132 BPM | ||
| Quintet for Bassoon, Violin, 2 Violas and Violoncello in B-Flat Major, Op. 14: III. Andante | Johann Evangelist Brandl, Calamus Ensemble | B♭ Major | 1 | 6B | 136 BPM |