"Those We've Left Behind" by Cybermode Beats had its release date on November 12, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 15 in Centum by Cybermode Beats. In terms of popularity, Those We've Left Behind is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Those We've Left Behind by Cybermode Beats is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dream in Color | Arixa Noctel | D♭ Major | 10 | 3B | 130 BPM | ||
| Blackwall | 808weeds | D♭ Major | 9 | 3B | 100 BPM | ||
| Suit Up | GostNode | G Major | 9 | 9B | 125 BPM | ||
| Shyanide | RA MAJOR, Silvr Sage | D Minor | 10 | 7A | 95 BPM | ||
| Combat Zone | CyberMafia | D Major | 10 | 10B | 200 BPM | ||
| The Final Surge | VoltageX | C Minor | 7 | 5A | 186 BPM | ||
| Girl at the Swimming Pool | TH3WITN3SS | F♯ Minor | 7 | 11A | 117 BPM | ||
| Blackcoat's Daughter | MORIS BLAK | A Major | 9 | 11B | 113 BPM | ||
| Recognizer | Preston Storey, Twilight Zone | D Major | 4 | 10B | 110 BPM | ||
| Censorship (Processor Remix) [Instrumental] | Oddko, Processor | A Major | 9 | 11B | 130 BPM | ||
| Distance 115 | Puffin | B♭ Minor | 7 | 3A | 100 BPM | ||
| Traitor | Portion Control | G Major | 9 | 9B | 104 BPM | ||
| Rhine Battle | Evgeny Shchukin | D Minor | 10 | 7A | 146 BPM | ||
| Vektor | Titan Slayer | D♭ Major | 5 | 3B | 120 BPM | ||
| Slayer Incorporated | CYBERTHING! | G Major | 9 | 9B | 188 BPM | ||
| Electronic Snow / The Chasm (Syncltrg) | Dan Terminus | A Major | 6 | 11B | 100 BPM | ||
| Shake | AMORTAL | D♭ Major | 10 | 3B | 130 BPM | ||
| Come and Find Me | ESA (Electronic Substance Abuse) | G Major | 8 | 9B | 180 BPM | ||
| Locked Eyes | Arc1te | A♭ Major | 9 | 4B | 125 BPM | ||
| Mbona | RA MAJOR, Suffolk | D♭ Major | 7 | 3B | 128 BPM | ||
| Mystic Eyes | DjKaputo Beats | F Minor | 9 | 4A | 126 BPM | ||
| DARKTRANCE | ANGEL OF MAN | A♭ Major | 2 | 4B | 103 BPM | ||
| Rising | Synthwave Siren | F♯ Major | 9 | 2B | 140 BPM | ||
| Lightning Crash | 2050 | G Major | 6 | 9B | 115 BPM | ||
| Nervous Space | Carl Stevens | G Major | 7 | 9B | 126 BPM |