Variation for Lute and Clarinet - After Goldberg Variations by Johann Sebastian Bach, Don Byron, Michael Freimuth Song Details

"Variation for Lute and Clarinet - After Goldberg Variations" by Johann Sebastian Bach, Don Byron, Michael Freimuth had its release date on October 26, 2007. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Classical Variations". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Variation for Lute and Clarinet - After Goldberg Variations is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Variation for Lute and Clarinet - After Goldberg Variations by Johann Sebastian Bach, Don Byron, Michael Freimuth having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -14.315 dB
Acousticness: 93%
Danceability: 16%
Energy: 31%
Instrumentalness: 63%
Liveness: 11%
Loudness: 76%
Speechiness: 5%
Valence: 4%

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