To the Rescue - From "Pinocchio"/Score
Leigh Harline, Paul J. Smith
Pinocchio
0:32 January 1, 2002
BPM
119
Key
B♭ Minor
Camelot
3A

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To the Rescue - From "Pinocchio"/Score by Leigh Harline, Paul J. Smith Song Details

"To the Rescue - From "Pinocchio"/Score" by Leigh Harline, Paul J. Smith had its release date on January 1, 2002. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Pinocchio". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. In terms of popularity, To the Rescue - From "Pinocchio"/Score is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With To the Rescue - From "Pinocchio"/Score by Leigh Harline, Paul J. Smith having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-19.826 dB
Acousticness
98%
Danceability
39%
Energy
7%
Instrumentalness
25%
Liveness
13%
Loudness
67%
Speechiness
6%
Valence
15%

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ISRC
USWD10220022
Label
L-M Records/RCA Records