On September 25, 2014, the song "Bahut Khubsurat Ho Tum - Live Version" was released by Satyam Anandjee. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Bahut Khubsurat Ho Tum (Live Version) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bahut Khubsurat Ho Tum - Live Version's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bahut Khubsurat Ho Tum - Live Version by Satyam Anandjee is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lugra Chaghahu Navagad Ke | Dukalu Yadav | E♭ Minor | 7 | 2A | 110 BPM | ||
| Jyoti Belagutide - Studio | C. Ashwath, Sangeetha Katti | G Major | 4 | 9B | 160 BPM | ||
| Saya Bankar Har Pal | Reshmi Sharma | A Major | 6 | 11B | 161 BPM | ||
| Nasha Aankhon Mein Hothon Par Hasi | Satyam Anandjee | D♭ Major | 8 | 3B | 82 BPM | ||
| Gawna Ke Beriya Oda Dihal Chadariya | Madan Rai | F♯ Major | 4 | 2B | 147 BPM | ||
| Maar Dala | Ghulam Ali, Armaan Khan | A♭ Major | 8 | 4B | 130 BPM | ||
| Manika Tum Humka Dekha | Rampat Harami | F♯ Major | 9 | 2B | 106 BPM | ||
| Shiv Amritwani 2 | Chetna | F Major | 6 | 7B | 140 BPM | ||
| Jaharveer Chalisa - Original | Arun Prajapati | B♭ Minor | 8 | 3A | 200 BPM | ||
| Lala Ki Paijaniya Baaje Re | Vijay Soni | G Major | 7 | 9B | 130 BPM | ||
| Abhi Ye Daulat Nayi Nayi Hai | Jani Sharma | A Minor | 7 | 8A | 174 BPM | ||
| Chaan Maare Kirniya Ke Baan | Madan Rai | A♭ Minor | 6 | 1A | 92 BPM | ||
| Chal Chal Re Bhai Mela | Riza Khan, Bali Thakre | F♯ Major | 8 | 2B | 95 BPM | ||
| Chal Vindhyachal Me | MANOJ TIWARI | B Minor | 9 | 10A | 141 BPM | ||
| Nand Ke Lala | Rishi Nityapragyan | F♯ Major | 7 | 2B | 109 BPM | ||
| Bhrukuti ki kutia mein baithe hee baithe | Brahma Kumaris | D Major | 4 | 10B | 125 BPM | ||
| Anant Koti Brahmand Nayak | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Aata Rahunga Dar Pe Tumhare | Rajni Rajasthani | D♭ Major | 6 | 3B | 125 BPM | ||
| Ahsaan Bahut Baba Tere | Sanjay Mittal | B Major | 5 | 1B | 80 BPM | ||
| Haal Dukh Dega To | Chandan Dass | B Major | 5 | 1B | 146 BPM | ||
| Kanak Bhawan Darwaje Khade Raho | Devendra Pathak | B♭ Major | 9 | 6B | 159 BPM | ||
| Laddu Gopal Mera Laddu Gopal | Chetna Sharma | D Major | 4 | 10B | 80 BPM | ||
| Teri Sharan Main Aya Maa | Vishal Khera | F♯ Major | 6 | 2B | 142 BPM | ||
| Aawaz Aapne Di To Harkat Me Aa Gaye | Satyam Anandjee | A♭ Major | 8 | 4B | 82 BPM | ||
| Baras Baras Ho Kari Badariya | Madan Rai | D♭ Major | 6 | 3B | 101 BPM |