George Clutsam, Traditional, Paul Robeson, Ray Noble & His Orchestra's 'Clutsam: Ma Curly-Headed Babby' had a release date set for July 18, 2008. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 170 in the song's album "Paul Robeson: The Complete EMI Sessions 1928-1939". In this album, this song's track order is #4. Clutsam: Ma Curly-Headed Babby is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Clutsam: Ma Curly-Headed Babby by George Clutsam, Traditional, Paul Robeson, Ray Noble & His Orchestra having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hino 79 - Bom É Estarmos Nós Aqui | Orquestra Sacra Paulista | C Major | 2 | 8B | 134 BPM | ||
| Oh Lamb Of God, I Come | Christchurch Festival Male Voice Choir | B♭ Major | 2 | 6B | 130 BPM | ||
| The Floral Dance | Peter Dawson | C Major | 3 | 8B | 99 BPM | ||
| Falling In Love Again (Can't Help It) | Tatiana Bookbinder | E♭ Major | 2 | 5B | 99 BPM | ||
| Kálmán: Die Csárdásfürstin, Act 2: "Tanzen möcht' ich" - "Tausend kleine Engel singen" (Sylva, Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Nicolai Gedda, Willy Mattes, Symphonie-Orchester Graunke | D Major | 3 | 10B | 93 BPM | ||
| Hino 13 - Confiemos em Deus | Orquestra Sacra Paulista | A♭ Major | 0 | 4B | 133 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Margie - Remastered | Eddie Cantor | F Minor | 3 | 4A | 115 BPM | ||
| HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Entr'acte | Arthur Sullivan, Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 63 BPM | ||
| Hino 177 Eu Necessito Achegar-me | Rafael Lima Violoncelista | F Major | 3 | 7B | 87 BPM | ||
| She's Never Been Seen Since Then | Jack Cottrell, George Formby | A Major | 4 | 11B | 132 BPM | ||
| Die Fledermaus, Act II: Couplet. Ich lade gern mir Gäste ein (Orlofsky) | Johann Strauss II, Friedrich Haider, Natascha Petrinsky, WDR Rundfunkorchester Köln | F Major | 4 | 7B | 117 BPM | ||
| Theatreland | Jack Strachey, New Concert Orchestra, Jay Wilbur, Albert Sandler Palm Court Orchestra, BBC Variety Orchestra, Billy Ternent Orchestra, David Rose Orchestra, Harmonic Orchestra, Louis Levy Music From The Movies, Mayfair Orchestra, The Melachrino Orchestra, Morton Gould Orchestra, New Century Orchestra, Orchestre Raymonde, Queen's Hall Light Orchestra, Robin Hood Dell Orchestra, Stanley Black Orchestra, The Geraldo String Orchestra, The Regent Classic Orchestra, Two Cities Symphony Orchestra | C Major | 5 | 8B | 132 BPM | ||
| Mary's A Grand Old Name | James Cagney & Sally Sweetland | E♭ Major | 1 | 5B | 76 BPM | ||
| I Bin A Echter Weana | Die Altgrinzinger Schrammeln | G Major | 1 | 9B | 96 BPM | ||
| When the Saints | Rijssens Mannenkoor | E♭ Major | 3 | 5B | 140 BPM | ||
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | ||
| Das Land des Lächelns - II | Richard Tauber, Franz Lehár, Radio Orchester Beromünster | D♭ Major | 2 | 3B | 85 BPM | ||
| The Mikado / Act 2: 27. A more humane Mikado never did in Japan exist | Arthur Sullivan, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | A Major | 3 | 11B | 98 BPM | ||
| Oh For A Thousand | Soma Of Boma | E Major | 0 | 12B | 78 BPM | ||
| Schwarzwaldmädel · Operette in drei Akten (Querschnitt in der Originalinstrumentierung) (2002 Digital Remaster), Zweiter Akt: - Alle Werden Sie Sich Drehen - Erklingen Zum Tanze Die Geigen (Bärbele, Römer) | Leon Jessel, Kurt Böhme, Erika Köth, Jürgen Förster, Christine Görner, Heinz Hoppe, Symphonieorchester Graunke, Cornelius Eberhardt, Harry Friedauer, Chor des Theaters am Gärtnerplatz, München, Willy Mattes | A Major | 2 | 11B | 84 BPM | ||
| Ave Maria - J.S. Bach e C. Gounod | Beniamino Gigli | D♭ Major | 3 | 3B | 70 BPM | ||
| Merry Widow Waltz | Harry Secombe, Moira Anderson | G Major | 3 | 9B | 131 BPM | ||
| Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
| Popular Songs of World War 2 (Arr. Tim Lawrence for Concert Band) | Fred Godfrey, Art Noel, Don Pelosi, Noel Gay, Ralph Butler, Jaromír Vejvoda, Walter Kent, Phil Park, Harry Parr-Davies, Ross Parker, Hughie Charles, Nil, The Central Band of The Royal British Legion, Captain David Cole | E♭ Major | 4 | 5B | 102 BPM |