Scott Bradlee's Postmodern Jukebox, Emma Smith's ' "One Week" was released on its scheduled release date, April 4, 2024. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. One Week's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Puttin' On The Rizz". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, One Week's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With One Week by Scott Bradlee's Postmodern Jukebox, Emma Smith having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Wanna Be Evil | Hannah Gill | F Major | 4 | 7B | 80 BPM | ||
| I Don't Mind | Laura Anglade | B♭ Minor | 1 | 3A | 134 BPM | ||
| Ev'ry Time I Hear That Mellow Saxophone | Blue Harlem | A♭ Major | 7 | 4B | 115 BPM | ||
| Until | Connie Evingson | E♭ Minor | 3 | 2A | 99 BPM | ||
| Bourbon Street Parade | Flash Mob Jazz | A♭ Major | 7 | 4B | 206 BPM | ||
| Boogie Woogie Bugle Boy | The Swing Cats Big Band | D Major | 6 | 10B | 169 BPM | ||
| Feel Good Inc. | Scott Bradlee's Postmodern Jukebox, Thia Megia | G Minor | 6 | 6A | 125 BPM | ||
| Bad For Business | Heather Rigdon | B Minor | 3 | 10A | 118 BPM | ||
| Blues Skies | Emmaline | E♭ Major | 1 | 5B | 91 BPM | ||
| Want You Gone (From "Portal 2") | The 8-Bit Big Band, Benny Benack III | F♯ Minor | 5 | 11A | 135 BPM | ||
| Jazz is my Lifestyle | Gunhild Carling | D♭ Major | 5 | 3B | 150 BPM | ||
| Dancing Queen | Scott Bradlee's Postmodern Jukebox, Gunhild Carling | A♭ Major | 6 | 4B | 115 BPM | ||
| An Occasional Man | Kate Kortum | B♭ Minor | 5 | 3A | 146 BPM | ||
| Cabin Fever | Tia Brazda | C Major | 10 | 8B | 121 BPM | ||
| The Little Man Who Wasn't There | Hannah Gill | B♭ Minor | 5 | 3A | 111 BPM | ||
| Comes Love | Scott Bradlee, Hannah Gill | C Minor | 3 | 5A | 118 BPM | ||
| I'm Not Ready | Rachael & Vilray | A Major | 4 | 11B | 93 BPM | ||
| Sam The Trigger Man | Swing'it | F Major | 1 | 7B | 62 BPM | ||
| Keep Me In The Dark | Cut Capers | D♭ Minor | 7 | 12A | 122 BPM | ||
| Everything Smells Like Salmon | Tom McGovern, Cory Wong | B♭ Minor | 6 | 3A | 124 BPM | ||
| Everybody Wants To Be A Cat | The Electric Swing Circus | B Minor | 6 | 10A | 130 BPM | ||
| You Go to My Head | Emma Smith | D♭ Major | 3 | 3B | 88 BPM | ||
| Too Little, Too Late, Too Bad | Rhiannon Giddens | D Major | 8 | 10B | 129 BPM | ||
| Midnight, The Stars & You | Scott Bradlee, Sweet Megg | C Major | 3 | 8B | 115 BPM | ||
| Dancing with the Devil | Elle & The Pocket Belles | C Minor | 7 | 5A | 128 BPM |