Rajan & Sajan Mishra's 'Mat Kar Moh Tu' had a release date set for May 8, 2024. This song appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Nirgun Se Sagun Tak, Sagun Se Nirgun Tak". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Mat Kar Moh Tu's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mat Kar Moh Tu by Rajan & Sajan Mishra having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Atharvashirsh | Apurva Upadhyay | F Minor | 7 | 4A | 160 BPM | ||
| Leela Hot Juni | Shree Vithaldas Bapordara | G Major | 3 | 9B | 105 BPM | ||
| Trisharan | Surykirti | D♭ Major | 3 | 3B | 83 BPM | ||
| Maanasa Mandira | Sri Ganapathy Sachchidananda Swamiji | F Major | 7 | 7B | 95 BPM | ||
| Sharanagat Pal | Madan Gopal | E♭ Minor | 5 | 2A | 150 BPM | ||
| Ambe Maa | Bhanumathi Narasimhan | E Major | 5 | 12B | 94 BPM | ||
| Asht Vinayak | Anand Kumar C. | F♯ Major | 8 | 2B | 153 BPM | ||
| Dradh In Charanan Kero Bharoso | Pushtivrund | C Major | 3 | 8B | 105 BPM | ||
| Ek Baba Akaal Roop - Gurbani Kirtan | Bhai Harjinder Singh | A♭ Major | 9 | 4B | 144 BPM | ||
| Khandoba Ashtak | Anandraj Manik Prabhu | E♭ Major | 6 | 5B | 180 BPM | ||
| Ma Kali Stuti (Raga Bhoop Kalyan), Vinay Patrika | Pandit Chhannulal Mishra | B♭ Minor | 5 | 3A | 128 BPM | ||
| Sri Dattatreya Vajra Kavacham | Sri Ganapathy Sachchidananda Swamiji | C Major | 2 | 8B | 107 BPM | ||
| Karunamayi Hridayeshwari | Sri Sathya Sai International Organization | F♯ Minor | 6 | 11A | 115 BPM | ||
| Shant Ho Guru Datta | Mandar Apte | F♯ Minor | 4 | 11A | 112 BPM | ||
| Abhang Narayana Baa Narayana | Shridhar Mungekar | F Minor | 6 | 4A | 92 BPM | ||
| Datta Brahmachari Re Brahmachari | Anandraj Manik Prabhu | E♭ Major | 6 | 5B | 180 BPM | ||
| Radha Stotram | Ketan Patwardhan | E♭ Major | 2 | 5B | 150 BPM | ||
| Bhagavad Gita Adhyay, Pt. 7 | Shrirang Bhave | G Minor | 1 | 6A | 86 BPM | ||
| Vishwadharam gagan Sadrasham - Prahtah Smaran Shlok | Nidhi Dholakia, Nitin Devka | A♭ Major | 0 | 4B | 72 BPM | ||
| Vishnu Sahasranaamam Dhyanam | T. S. Ranganathan | F Major | 3 | 7B | 105 BPM | ||
| Raag Bhairavi | Maya Deepak, Hasmukh Patadiya | D Minor | 5 | 7A | 120 BPM | ||
| Siddhi Vinayak | Raghunath Dubey | B♭ Major | 5 | 6B | 130 BPM | ||
| Bhajan - Gaiye Ganpati Jagvandan | Rajan & Sajan Mishra | D Major | 6 | 10B | 134 BPM | ||
| Itni Shakti Mujhe Do | Dheera Ghosh | F♯ Major | 2 | 2B | 125 BPM | ||
| Krishna Ji Ki Aarti | Vivek Prakash | F Major | 6 | 7B | 136 BPM |