"Homages: I. Contemplation" by Cheryl Frances-Hoad, Ivana Gavrić had its release date on June 30, 2017. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Homages: I. Contemplation's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Stolen Rhythm: Works by Cheryl Frances-Hoad". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Homages: I. Contemplation is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Homages: I. Contemplation by Cheryl Frances-Hoad, Ivana Gavrić having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Maria, virgo pia (2) | Cheryl Frances-Hoad, The Choir of Oriel College, Oxford, David Maw, Grace Davidson | D Major | 0 | 10B | 132 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Nun ist alles überwunden | Adam Drese, Voces Suaves, Akademie für Alte Musik Berlin | E Minor | 1 | 9A | 85 BPM | ||
| Mass of the Americas: VI. Agnus Dei | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Maidan 2014 / Cycle IV: II. Elegy | Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych | F Minor | 0 | 4A | 77 BPM | ||
| Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 124 BPM | ||
| Vespro della Beata Vergine, SV 206: Psalmus "Laudate Pueri" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 3 | 9B | 134 BPM | ||
| Kronstorfer Messe in D Minor, WAB 146: IV. Agnus Dei | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Hymnen, Op. 140: IV. Ave Regina | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 69 BPM | ||
| The Passing of the Year: No. 2, The narrow bud opens her beauties to the sun | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | F♯ Minor | 0 | 11A | 138 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| Excelsus: II. Kyrie | Cheryl Frances-Hoad, Thomas Carroll | E Minor | 0 | 9A | 168 BPM | ||
| Soir sur la plaine | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | B Major | 1 | 1B | 134 BPM | ||
| Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
| Three Latin Motets: II. Ave, Maria | Cecilia McDowall, Phoenix Chorale, Charles Bruffy | B Major | 1 | 1B | 131 BPM | ||
| Sei nun wieder zufrieden, meine Seele (Psalm 116) | Andreas Hammerschmidt, Martin Platz, Wolfgang Katschner, Lautten Compagney | D Major | 0 | 10B | 132 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | ||
| 3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Kantos Chamber Choir, Ellie Slorach | F Minor | 0 | 4A | 140 BPM | ||
| Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 6, The Inexpressible Miracle | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 74 BPM | ||
| Lully, Lulla, Lullay | Ensemble Pro Victoria, Toby Ward | F Minor | 1 | 4A | 83 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM |