"「宿命」のスケッチ5" by 菅野光亮 had its release date on 1974. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 砂の器 映画オリジナル音楽集 (オリジナル・サウンドトラック), so we believe that "「宿命」のスケッチ5" is a single. In terms of popularity, 「宿命」のスケッチ5 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 「宿命」のスケッチ5 by 菅野光亮 is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ひとときの安らぎ | 沢田完 | E♭ Major | 7 | 5B | 82 BPM | ||
| Play with Heart | 2XSTATE | B Major | 3 | 1B | 51 BPM | ||
| Im Bheto VN | Bheto VN | C Minor | 3 | 5A | 140 BPM | ||
| ALWAYS 三丁目の夕日'64 - Opening Title | Naoki Sato | A Major | 8 | 11B | 143 BPM | ||
| ハイ・ヌーン ~真昼の決闘 | マントヴァーニ楽団 | B♭ Major | 0 | 6B | 101 BPM | ||
| 乗組員の行進〜ヤマト発進 F-4 | 宮川 泰, ヤマト・スタジオ・オーケストラ | A Major | 0 | 11B | 85 BPM | ||
| 太陽がいっぱい | Nino Rota Grand Orchestra | G Minor | 3 | 6A | 139 BPM | ||
| アジアンタムブルー組曲 第3曲:藍の記憶 | Nao Matsushita | D♭ Major | 2 | 3B | 75 BPM | ||
| スマイル ~「モダン・タイムス」 | ビクター・ヤング楽団 | F Major | 4 | 7B | 79 BPM | ||
| 「男はつらいよ」 メインタイトル | 山本直純, Taizo Takemoto, Japan Philharmonic Orchestra | B♭ Major | 2 | 6B | 134 BPM | ||
| The Secret Glade | Audinity | F Minor | 1 | 4A | 100 BPM | ||
| 愚かなりわが心 | ビクター・ヤング楽団 | G Major | 4 | 9B | 83 BPM | ||
| 愛よ永遠に(モーツァルト) | レイモン・ルフェーヴル・グランド・オーケストラ | C Minor | 2 | 5A | 111 BPM | ||
| 結のテーマ<ボレロ・ヴァージョン> | Masashi Sada | D Major | 0 | 10B | 76 BPM | ||
| グノーのアベマリア | グノー, Karoly Kovacs | F Major | 0 | 7B | 70 BPM | ||
| コルトナの朝 - オーケストラ版 | Nobuyuki Tsujii | E♭ Major | 1 | 5B | 72 BPM | ||
| ベン・ハー序曲(映画「ベン・ハー」より) | MGM交響楽団 | D♭ Major | 3 | 3B | 122 BPM | ||
| Beneath the Stars | CaRaEl.Dh | A♭ Major | 2 | 4B | 103 BPM | ||
| 太陽がいっぱい | Sam Taylor | D Minor | 2 | 7A | 118 BPM | ||
| オンブラ・マイ・フ | George Frideric Handel, レックス・サウンド・オーケストラ | F Major | 0 | 7B | 83 BPM | ||
| C'era Una Volta In Italia, La Casa | Luciano Lombardi | G Major | 1 | 9B | 80 BPM | ||
| Baby Mothers Unashamed Mothers | Danke Timi Briggs | G Minor | 2 | 6A | 147 BPM | ||
| 愛のために死す(映画「愛のために死す」より) | Charles Aznavour, Kiyoshi Shomura | B Minor | 1 | 10A | 135 BPM | ||
| 今西、山陰路へ | 菅野光亮 | G Major | 5 | 9B | 78 BPM | ||
| 幸せな結末 | NIAGARA FALL OF SOUND ORCHESTRAL | B Major | 5 | 1B | 126 BPM |