Richard Reed Parry's 'Leaving' had a release date set for December 1, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 18 out of 19 in Eileen (Original Motion Picture Soundtrack) by Richard Reed Parry. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Leaving is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Leaving by Richard Reed Parry is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moon in the Mind | Ed Askew | D Major | 3 | 10B | 88 BPM | ||
| Crossing II | Christopher Bear, Daniel Rossen | C Minor | 1 | 5A | 70 BPM | ||
| Samira's Theme | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| John & Jane | David Fleming | C Major | 4 | 8B | 116 BPM | ||
| Big White Cloud | John Cale | E Major | 7 | 12B | 70 BPM | ||
| Life Is Long | David Byrne | D♭ Major | 5 | 3B | 168 BPM | ||
| Into the Unknown (from The Holdovers) | Mark Orton | F Major | 4 | 7B | 176 BPM | ||
| I Am Right On Time | Bleachers | B Major | 1 | 1B | 129 BPM | ||
| Hollowed Out | Ducks Ltd. | G Major | 4 | 9B | 136 BPM | ||
| Funeral Lights | Justin Vernon | A Major | 6 | 11B | 122 BPM | ||
| Water | Spectral Tilt | F Minor | 1 | 4A | 128 BPM | ||
| Milk & Honey #1 | Arcade Fire, Owen Pallett | D♭ Major | 0 | 3B | 94 BPM | ||
| Nothing Changes | MGMT | F♯ Major | 7 | 2B | 134 BPM | ||
| Flare (For Neal Casal) | Tyler Ramsey | C Major | 3 | 8B | 124 BPM | ||
| Wiseblood (Johnny Jewel Film Edit) | Zola Jesus, Johnny Jewel | B♭ Major | 3 | 6B | 84 BPM | ||
| Driving Home | Richard Reed Parry | C Major | 2 | 8B | 98 BPM | ||
| Selling Data | Jay McCarrol | C Major | 1 | 8B | 116 BPM | ||
| Love Is Overtaking Me | Arthur Russell | D Major | 6 | 10B | 149 BPM | ||
| We Are Back | Gavin Brivik | C Major | 5 | 8B | 83 BPM | ||
| Behind the Goal | Giosuè Greco | E Major | 3 | 12B | 130 BPM | ||
| Crying, Laughing, Loving, Lying | Labi Siffre | G Major | 4 | 9B | 100 BPM | ||
| Camp | Ben Salisbury, Geoff Barrow | D Major | 1 | 10B | 63 BPM | ||
| The Call of the Wild | Sun Kil Moon | G Major | 4 | 9B | 174 BPM | ||
| Headlights | Tyler Bates, Chelsea Wolfe | A♭ Minor | 0 | 1A | 130 BPM | ||
| Headshot | Ben Salisbury, Geoff Barrow | D Minor | 3 | 7A | 76 BPM |