The Jayhawks's 'Broken Harpoon' had a release date set for May 9, 2000. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Smile (Expanded Edition)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Broken Harpoon is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Broken Harpoon by The Jayhawks having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tell Me Anything (Turn to Gold) | Chuck Prophet | G Minor | 9 | 6A | 123 BPM | ||
| All The Right Reasons | The Jayhawks | F♯ Major | 4 | 2B | 144 BPM | ||
| Evening Gown | Alejandro Escovedo | G Major | 5 | 9B | 79 BPM | ||
| The Oil Rigs at Night | The Delines | A♭ Major | 4 | 4B | 74 BPM | ||
| Ann Jane | The Jayhawks | D Major | 4 | 10B | 115 BPM | ||
| Nevada, California | The Jayhawks | D Major | 5 | 10B | 136 BPM | ||
| Barstool Boys | Marah | G Major | 6 | 9B | 146 BPM | ||
| Lakeside | Blue Mountain | G Major | 8 | 9B | 133 BPM | ||
| Quiet Corners & Empty Spaces | The Jayhawks | D♭ Minor | 8 | 12A | 115 BPM | ||
| Gillian Was A Horse | Damien Jurado | D Major | 9 | 10B | 128 BPM | ||
| Something You Ain't Got | Cracker | C Major | 8 | 8B | 122 BPM | ||
| Oh Marianne | Peter Wolf | E Major | 7 | 12B | 120 BPM | ||
| Till The Town Goes Dark | Aaron Lee Tasjan | E Major | 6 | 12B | 116 BPM | ||
| Please Tell My Brother | Golden Smog | F Major | 1 | 7B | 78 BPM | ||
| Poor, Poor LA | Tim Easton | G Major | 7 | 9B | 110 BPM | ||
| Clouds | The Jayhawks | G Major | 8 | 9B | 120 BPM | ||
| What Led Me To This Town | The Jayhawks | D♭ Minor | 5 | 12A | 137 BPM | ||
| Big Star | The Jayhawks | C Major | 8 | 8B | 137 BPM | ||
| Everybody Move It | Teddy Thompson | C Major | 5 | 8B | 151 BPM | ||
| Sweet Soul Dream | World Party, Sinéad O'Connor | A Major | 5 | 11B | 135 BPM | ||
| Maybe California | Neal Casal | G Major | 5 | 9B | 146 BPM | ||
| Everybody Knows | The Jayhawks | F Major | 8 | 7B | 125 BPM | ||
| Mixtape | Tift Merritt | B Minor | 3 | 10A | 96 BPM | ||
| It Isn't Gonna Be That Way | Steve Forbert | D Major | 3 | 10B | 173 BPM | ||
| Driving the View | Son Volt | C Major | 8 | 8B | 132 BPM |