"「ア・ウォータイム・スケッチブック」より" by 広島県/NTT西日本中国吹奏楽クラブ, 金田康孝 had its release date on December 16, 2000. This song is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. There is only one song in 全日本吹奏楽2000 VOL.10 大学編 2 職場編 1, so we believe that "「ア・ウォータイム・スケッチブック」より" is a single. 「ア・ウォータイム・スケッチブック」より is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 「ア・ウォータイム・スケッチブック」より by 広島県/NTT西日本中国吹奏楽クラブ, 金田康孝 is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| BLIND SPOT by Gilles Rocha | Mauro Martins | D♭ Major | 2 | 3B | 65 BPM | ||
| 交響詩「ローマの祭」より | Ottorino Respighi, 東海大学付属大阪仰星高等学校吹奏楽部 | D Major | 5 | 10B | 112 BPM | ||
| フィールズ・オーバーチュア - 小編成版 | フィルハーモニック・ウインズ 大阪 | C Minor | 2 | 5A | 144 BPM | ||
| 沢地萃 - 吹奏楽版 | Japan Maritime Self-Defense Force Band,Tokyo | C Major | 2 | 8B | 143 BPM | ||
| 交響詩《ローマの松》 IV. アッピア街道の松 | Ottorino Respighi, Andrea Battistoni, Tokyo Philharmonic Orchestra | B Major | 3 | 1B | 124 BPM | ||
| マーチ「アルセナール」[Live] | Van der Roost, ヤン・ヴァンデルロースト, 大阪市音楽団 | A♭ Major | 4 | 4B | 115 BPM | ||
| Southern Harmony: I. The Midnight Cry | Donald Grantham, Ohio State University Wind Symphony, Russel C. Mikkelson | E♭ Major | 4 | 5B | 117 BPM | ||
| 風紋(原典版) | 保科洋, 長縄洋明(指揮), JAPAN Wind Players | G Minor | 1 | 6A | 142 BPM | ||
| アルセナール | 神戸女学院大学音楽学部ウインドオーケストラ | A♭ Major | 3 | 4B | 109 BPM | ||
| Euphonium Concerto: Pt. I: Dance Zeibekikos | Philip Wilby, David Thornton, Black Dyke Band, Nicholas Childs | F Minor | 2 | 4A | 133 BPM | ||
| フロンティア・スピリット | 伊藤宏武, 大井剛史, Tokyo Kosei Wind Orchestra | A♭ Major | 3 | 4B | 106 BPM | ||
| Fanfare Esprit | Carol Brittin Chambers, Excelcia Wind Band, Scott Lubaroff | F Major | 3 | 7B | 129 BPM | ||
| ブリュッセル・レクイエム | ベルト・アッペルモント, 土気シビックウインドオーケストラ | A♭ Major | 1 | 4B | 139 BPM | ||
| World Concerto: I. Allegro | Ben van Dijk, The Amsterdam Staff Band of the Salvation Army | B♭ Major | 1 | 6B | 138 BPM | ||
| Where Eagles Sing | Paul Lovatt-Cooper, Brass Band Treize Etoiles, James Gourlay | F Major | 4 | 7B | 78 BPM | ||
| マードックからの最後の手紙 (2021年版) [Ending B] | 土気シビックウインドオーケストラ, 樽屋雅徳 | A♭ Major | 4 | 4B | 74 BPM | ||
| オセロ II- 暁のセレナーデ (キプロス) | Alfred Reed, Kim Seong-hyang, Tokyo Kosei Wind Orchestra | F Major | 4 | 7B | 98 BPM | ||
| 吹奏楽のための第1組曲(シャコンヌ) | Gustav Holst, Yutaka Sado, Siena Wind Orchestra | E♭ Major | 1 | 5B | 79 BPM | ||
| Fantasy for Euphonium & Piano: II. Song of the Sea | Elena Roussanova, David Childs, Christopher Williams | F Major | 0 | 7B | 69 BPM | ||
| Sonoran Desert Holiday | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | F Major | 2 | 7B | 114 BPM | ||
| アルメニアン・ダンス パート1(メドレー) | Alfred Reed, Kim Seong-hyang, Tokyo Kosei Wind Orchestra | B♭ Major | 2 | 6B | 122 BPM | ||
| 吹奏楽のための綺想曲「じゅげむ」 - Live at The Symphony Hall,2012 | なにわオーケストラルウィンズ | F Major | 1 | 7B | 77 BPM | ||
| East Coast Pictures: III. New York | Nigel Hess, The London Symphonic Wind Orchestra | E♭ Major | 3 | 5B | 119 BPM | ||
| Bibbidi-Bobbidi-Boo | Kasukabe Kyoei Wind Orchestra | F Major | 5 | 7B | 112 BPM | ||
| インヴィクタ序曲 | James Swearingen, フィルハーモニック・ウインズ 大阪 | B♭ Minor | 2 | 3A | 146 BPM |