Modo Antiquo, Federico Maria Sardelli's ' "Concerto VII in La Maggiore RV 160: Allegro" was released on its scheduled release date, January 26, 2007. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Concerti Di Parigi I XII by Modo Antiquo. The song's track number on the album is #18 out of 35 tracks. Based on our statistics, Concerto VII in La Maggiore RV 160: Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Concerto VII in La Maggiore RV 160: Allegro by Modo Antiquo, Federico Maria Sardelli has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerto VII in La Maggiore RV 160: Allegro being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Handel: Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: I. Allegro | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 2 | 11A | 107 BPM | ||
| Orlando / Act 1: Lascia Amor | George Frideric Handel, Ildebrando D'Arcangelo, Modo Antiquo, Federico Maria Sardelli | A Major | 4 | 11B | 105 BPM | ||
| Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
| Violin Concerto in G Minor, Op. 4 No. 6, RV 316a: III. Allegro | Antonio Vivaldi, Anton Martynov, Modo Antiquo, Federico Maria Sardelli | F♯ Minor | 2 | 11A | 151 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 6 in E Major: II. Allegro | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E♭ Major | 3 | 5B | 83 BPM | ||
| Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Ninfa che scalza il piede e sciolto il crine (sv160) -Part II: Qui deh meco t'arresta, ove di fiori | Claudio Monteverdi, Alfred Deller, Deller Consort | E♭ Major | 1 | 5B | 79 BPM | ||
| Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM | ||
| Concerto VIII in Re minore RV 127: Allegro | Modo Antiquo, Federico Maria Sardelli | D Minor | 3 | 7A | 135 BPM | ||
| Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso | Unico Wilhelm van Wassenaer, Amsterdam Baroque Orchestra, Ton Koopman | G Minor | 3 | 6A | 78 BPM | ||
| Trattado de glosas: Recercata terza sopra canto piano | Diego Ortiz, Bettina Hoffmann, Modo Antiquo | G Minor | 1 | 6A | 84 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Da capella presto | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 82 BPM | ||
| Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
| Harpsichord Concerto No. 7 in G Minor, BWV 1058: III. Allegro assai | Johann Sebastian Bach, Francesco Corti, Il Pomo D'oro | F♯ Minor | 4 | 11A | 133 BPM | ||
| Concerto in G Minor: III. Allegro | Federico Maria Sardelli, Modo Antiquo, Paolo Pollastri | F♯ Minor | 4 | 11A | 116 BPM | ||
| Concerto In Do maggiore: Allegro Molto | Modo Antiquo | F♯ Major | 1 | 2B | 123 BPM | ||
| Telemann: Concerto for Two Violins in B-Flat Major, TWV 52:B2: III. Adagio | Georg Philipp Telemann, Berliner Barock Solisten, Bernhard Forck, Rainer Kussmaul | G Major | 1 | 9B | 151 BPM | ||
| Sinfonia in B Flat Major, HWV 339: III. Allegro | George Frideric Handel, The Brook Street Band, Rachel Harris, Farran Scott, Tatty Theo, Carolyn Gibloey | A Major | 3 | 11B | 142 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Major | 1 | 9B | 144 BPM | ||
| Concerto in B Minor: III. Allegro | Federico Maria Sardelli, Modo Antiquo, Anton Martynov | E♭ Minor | 4 | 2A | 128 BPM | ||
| Trattado de glosas: Recercata quarta sopra canto piano | Diego Ortiz, Bettina Hoffmann, Modo Antiquo | G Minor | 1 | 6A | 84 BPM | ||
| Violin Concerto in D Minor, Op. 4 No. 8, RV 249: IV. Allegro | Antonio Vivaldi, Anton Martynov, Modo Antiquo, Federico Maria Sardelli | F♯ Minor | 2 | 11A | 141 BPM | ||
| Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
| Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
| Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
| Concerto Grosso in D Major, Op. 3, No. 1: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Major | 2 | 10B | 122 BPM |