Trans Megetti's 'On The Monday' had a release date set for 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 10 in Fading Left To Completely On by Trans Megetti. In terms of popularity, On The Monday is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of On The Monday by Trans Megetti is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Can't Wait 'til I Get Rickets | P.E.E. | D Major | 8 | 10B | 146 BPM | ||
| Last Resort | Slower Than | B Major | 6 | 1B | 202 BPM | ||
| Silo Coordinance | Patterns Make Sunrise | C Major | 8 | 8B | 100 BPM | ||
| Pebbles | Shudder To Think | D Major | 4 | 10B | 167 BPM | ||
| Extent of the Apseoutstretched | North of America | B Major | 6 | 1B | 107 BPM | ||
| Norman | Boilermaker | B Minor | 9 | 10A | 145 BPM | ||
| Don't Tell Me That I'm Fat | There Is No Dana | B♭ Major | 3 | 6B | 136 BPM | ||
| Terrified of Flight | 764-Hero | D Major | 9 | 10B | 81 BPM | ||
| retrace | ee | E Major | 5 | 12B | 87 BPM | ||
| Excerpt | The Jazz June | E Minor | 10 | 9A | 103 BPM | ||
| In Beats Like Trains | Sunday's Best | C Major | 7 | 8B | 124 BPM | ||
| Haste | Skiploader | G Minor | 8 | 6A | 117 BPM | ||
| Fake Calm Existing | Super Static Fever | G Major | 8 | 9B | 146 BPM | ||
| Double Life | MACHA | A Minor | 8 | 8A | 124 BPM | ||
| Tapir | Pot Valiant | G Major | 7 | 9B | 131 BPM | ||
| Goodnight Reddick | Mock Orange | G Major | 6 | 9B | 143 BPM | ||
| Chucked | Rob Crow | C Major | 7 | 8B | 102 BPM | ||
| Newfoundland | Nuzzle | D Major | 6 | 10B | 113 BPM | ||
| Willing to Follow You Down | Lowercase | C Major | 5 | 8B | 97 BPM | ||
| Punch and Get Out | Dahlia Seed | E Major | 9 | 12B | 161 BPM | ||
| Katahdn | Don Martin Three | A Major | 6 | 11B | 142 BPM | ||
| Mannequin Three: The Return of Hollywood | P.E.E. | D Major | 8 | 10B | 198 BPM | ||
| H.A.L. | Ethel Meserve | G Major | 9 | 9B | 160 BPM | ||
| Life Begins | Centaur | F Major | 6 | 7B | 170 BPM | ||
| Inefficient Engine | Don Martin Three | D Major | 8 | 10B | 176 BPM |