- BPM
- 130
- Key
- B♭ Major
- Camelot
- 6B
Marechiare by Katia Ricciarelli Song Details
Katia Ricciarelli's 'Marechiare' had a release date set for April 26, 2012. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Serenata". In this album, this song's track order is #9. Based on our statistics, Marechiare's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Marechiare by Katia Ricciarelli having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
Music Key
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -13.427 dB
- Acousticness
- 99%
- Danceability
- 44%
- Energy
- 18%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 78%
- Speechiness
- 4%
- Valence
- 23%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Madama Butterfly / Act 2: Tu, Suzuki, che sei tanto biona | Giacomo Puccini, Mirella Freni, Christa Ludwig, Robert Kerns, Elke Schary, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 64 BPM | |
 | Mozart: Così fan tutte, K. 588, Act 1: Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Karl Böhm, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | |
 | Il trovatore, Act II: Ah, se l'error t'ingombra – Perchè piangete? | Giuseppe Verdi, The London Opera Chorus, Ingvar Wixell, Nicolai Ghiaurov, Dame Joan Sutherland, Norma Burrowes, National Philharmonic Orchestra, Richard Bonynge | E♭ Major | 0 | 5B | 182 BPM | |
 | La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | |
 | Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | |
 | Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K. 527 / Act II: "Crudele!-Ah no, mio bene!" - "Non mi dir, bell'idol" | Wolfgang Amadeus Mozart, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F Major | 1 | 7B | 64 BPM | |
 | Bizet: Carmen: Qui sait de quel demon j'allais etre la proie! - Act One | Georges Bizet, Plácido Domingo, Kiri Te Kanawa, Sir Georg Solti | G Major | 2 | 9B | 77 BPM | |
 | Stabat Mater: 8. Inflammatus et accensus | Gioachino Rossini, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende | D Major | 2 | 10B | 112 BPM | |
 | La Cenerentola / Act 1: Signore, una parola...Qui nel mio codice...Nel volto | Gioachino Rossini, Cecilia Bartoli, Enzo Dara, Alessandro Corbelli, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | |
| Cavalleria rusticana: "Tu qui, Santuzza?" (Duetto) - "Fior la giaggolo" | Pietro Mascagni, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 3 | 7B | 109 BPM | |
 | La donna del lago: Act I, Scene 5 - Ma son sorpreso | Gioachino Rossini, Maurizio Pollini, Chamber Orchestra of Europe, Prague Philharmonic Chorus, Dalmacio Gonzales, Katia Ricciarelli | C Major | 2 | 8B | 82 BPM | |
 | Aida / Act 1: Su! del Nilo al sacro lido | Giuseppe Verdi, Katia Ricciarelli, Elena Obraztsova, Plácido Domingo, Piero de Palma, Ruggero Raimondi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Major | 2 | 11B | 95 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Or sai chi l'onore" | Wolfgang Amadeus Mozart, Diana Damrau, Mahler Chamber Orchestra, Yannick Nézet-Séguin | E♭ Major | 1 | 5B | 167 BPM | |
| La Cenerentola / Act 1: "Venga, inoltri" - "Sapientissimo Alidoro" | Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A♭ Major | 1 | 4B | 91 BPM | |
 | Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | |
 | Don Giovanni, K.527 / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Cesare Siepi, Wiener Philharmoniker, Josef Krips | E♭ Minor | 5 | 2A | 62 BPM | |
 | Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | |
 | Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | |
 | La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | |
 | Boito: Mefistofele, Prologue: "Ave, Signor degli angeli e dei santi" (Coro) | Arrigo Boito, Julius Rudel, Ambrosian Opera Chorus, London Symphony Orchestra | E Major | 1 | 12B | 86 BPM | |
 | La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | |
 | Die Entführung aus dem Serail / Act 1: "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!" | Wolfgang Amadeus Mozart, Gösta Winbergh, Martti Talvela, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti | G Minor | 2 | 6A | 82 BPM | |
 | Lohengrin, WWV 75, Act III: Treulich geführt ziehet dahin "Bridal Chorus" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | |
 | Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records