Blameshift's 'Came for Blood' had a release date set for March 5, 2021. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Came for Blood and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Came for Blood is currently below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Came for Blood by Blameshift is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cold Blooded | Courage My Love | A♭ Minor | 9 | 1A | 97 BPM | ||
| The Sirens Are Set | Blameshift | D Minor | 10 | 7A | 95 BPM | ||
| Wolf or Lamb | League of Distortion | E Minor | 8 | 9A | 88 BPM | ||
| The One That Got Away | The Material | C Minor | 8 | 5A | 150 BPM | ||
| My Own Hell | JULES IS DEAD | B Major | 9 | 1B | 140 BPM | ||
| Is It Gone? | Forever Still | B Minor | 6 | 10A | 76 BPM | ||
| Straitjacket | Stitched Up Heart | A♭ Minor | 9 | 1A | 130 BPM | ||
| Intoxicate | Anaria | G Major | 7 | 9B | 152 BPM | ||
| The Smoke | Inkakai | E Major | 10 | 12B | 160 BPM | ||
| SUGAR WATER | Bad Valentine | F♯ Minor | 4 | 11A | 113 BPM | ||
| Afterlife | Cilver | B♭ Major | 9 | 6B | 111 BPM | ||
| Not Enough | Anavae | G Major | 8 | 9B | 150 BPM | ||
| Throne Of Entropy | Hellvor | D Major | 8 | 10B | 95 BPM | ||
| A Taste of Being King | New Vegas, Jake Adkins | C Minor | 10 | 5A | 93 BPM | ||
| Diamond in the Rough | The Nearly Deads | D Minor | 6 | 7A | 120 BPM | ||
| Ghost | Blameshift | G Major | 9 | 9B | 189 BPM | ||
| Gravity | Skarlett Riot | B♭ Minor | 9 | 3A | 172 BPM | ||
| Dawn | Echo Black, Danny Blu | B♭ Minor | 9 | 3A | 131 BPM | ||
| Rage | Mezmerized | B♭ Minor | 9 | 3A | 97 BPM | ||
| Lately | Future Palace | G Minor | 8 | 6A | 170 BPM | ||
| Give Anything | The Material | E Minor | 9 | 9A | 154 BPM | ||
| Ascend | Crashing Atlas | A♭ Minor | 9 | 1A | 75 BPM | ||
| あなたに逢いたくて | MONGOL510 | G Minor | 5 | 6A | 164 BPM | ||
| My Mind | The Last Element | F Minor | 8 | 4A | 140 BPM | ||
| Inhale / Exhale | A Light Divided | F Minor | 9 | 4A | 165 BPM |