"Shouldn't We Get To Know Each Other First" by Hans Zimmer had its release date on October 1, 2021. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "No Time To Die (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The popularity of Shouldn't We Get To Know Each Other First is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shouldn't We Get To Know Each Other First by Hans Zimmer having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| The Gift Of Mortality - Instrumental | James Horner | E Major | 0 | 12B | 52 BPM | ||
| Côte D’Azur | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Forward March | Jeff Beal | C Major | 3 | 8B | 117 BPM | ||
| Coulisses | Mathieu Lamboley | F Minor | 3 | 4A | 96 BPM | ||
| The Bitch is Dead | David Arnold | E Minor | 0 | 9A | 91 BPM | ||
| Istanbul | Geoff Zanelli | A Minor | 2 | 8A | 142 BPM | ||
| A Royal Command - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 82 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| The Waterfall | Joel P West | E♭ Major | 3 | 5B | 89 BPM | ||
| Messages from Hermes | Harry Gregson-Williams | F Major | 1 | 7B | 95 BPM | ||
| Docking Waltz | Justin Hurwitz | D Major | 1 | 10B | 77 BPM | ||
| Love Is Not Enough | Hans Zimmer | A Minor | 1 | 8A | 65 BPM | ||
| Every Second is a Little Death | Blake Neely | A Minor | 0 | 8A | 66 BPM | ||
| The Da Vinci Code Orchestra Suite: Part 3 - Live | Hans Zimmer, Vienna Radio Symphony Orchestra, Valentina Nafornita, Rusanda Panfili, Marie Spaemann, Martin Gellner | B♭ Major | 2 | 6B | 69 BPM | ||
| Russian Roulette | Daniel Pemberton | D♭ Major | 1 | 3B | 90 BPM | ||
| The Unfinished Kiss | Daniel Pemberton | C Major | 6 | 8B | 160 BPM | ||
| Writing's On The Wall - Instrumental | Thomas Newman | F Minor | 2 | 4A | 67 BPM | ||
| TVA Title Card | Natalie Holt | D♭ Minor | 3 | 12A | 108 BPM | ||
| Gobi, 2012 | Natalie Holt | D♭ Major | 4 | 3B | 133 BPM | ||
| The Regime | Anne Nikitin | D Major | 1 | 10B | 119 BPM | ||
| Duel Preparations | Harry Gregson-Williams | F Minor | 1 | 4A | 110 BPM | ||
| Frigga | Natalie Holt | C Minor | 3 | 5A | 126 BPM | ||
| The Dream Is Lost | Harry Gregson-Williams | D Minor | 0 | 7A | 68 BPM |