"Recomposed By Max Richter: Vivaldi, The Four Seasons: Summer 1 - 2012" by Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder had its release date on November 19, 2025. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 37 in the song's album "Scored By Max Richter". In this album, this song's track order is #36. Furthermore, we believe that the track originated from Germany. Recomposed By Max Richter: Vivaldi, The Four Seasons: Summer 1 - 2012 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Recomposed By Max Richter: Vivaldi, The Four Seasons: Summer 1 - 2012 by Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| New York Cycle | Remo Anzovino | D Major | 1 | 10B | 136 BPM | ||
| Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | ||
| Spring 3 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | E Major | 3 | 12B | 111 BPM | ||
| Gardermoen | Julia Kent | G Minor | 1 | 6A | 128 BPM | ||
| On the Nature of Daylight | Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | B♭ Minor | 3 | 3A | 65 BPM | ||
| Rondo in F Minor for Solo Piano - "Kendall's Summit" | Nicholas Britell | F Minor | 1 | 4A | 72 BPM | ||
| My Heart's in the Highlands: My Heart is in the Highlands | Arvo Pärt, Else Torp, Christopher Bowers-Broadbent, Paul Hillier | F Minor | 0 | 4A | 74 BPM | ||
| The Stars We Follow | Federico Albanese | A Minor | 1 | 8A | 125 BPM | ||
| Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
| Violin Concerto No. 1 in B-Flat Major, K. 207: I. Allegro moderato | Wolfgang Amadeus Mozart, Lir Vaginsky, Konzerthaus Kammerorchester Berlin, Unknown Artist | C Minor | 1 | 5A | 127 BPM | ||
| Quartet No.3 The Way of 1000 and One Comet: Allegretto, The Sky Seen from the Moon | Ezio Bosso, Turin String Quartet | A Minor | 2 | 8A | 104 BPM | ||
| Improvisations sur les folies d'Espagne | Marin Marais, Public Domain, Jordi Savall | B Major | 1 | 1B | 59 BPM | ||
| Piano Trio No. 2 In E Flat Major, Op. 100, D. 929: II. Andante Con Moto | Stuttgart Piano Trio, Franz Schubert | C Minor | 0 | 5A | 100 BPM | ||
| Infra 2 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | D Minor | 1 | 7A | 85 BPM | ||
| Moderato Con Brio for Violin, Harp, and Orchestra | Nicholas Britell | C Minor | 3 | 5A | 113 BPM | ||
| Dies irae | Zbigniew Preisner | D Minor | 0 | 7A | 71 BPM | ||
| Concerto For Violin And Strings In G Minor, Op.8, No.2, RV 315 "The Four Seasons: Summer": 3. Presto | Australian Chamber Orchestra, Richard Tognetti | G Major | 6 | 9B | 156 BPM | ||
| Le Petit Parisian | Asaf Avidan | F Minor | 1 | 4A | 141 BPM | ||
| Suite No. 1 in D Minor: No. 20, Les folies d'Espagne - Pièces de viole, Livre II | Marin Marais, Christian-Pierre La Marca | C Major | 0 | 8B | 68 BPM | ||
| Clarity | Oliver Davis, Kerenza Peacock, Jonathan Hill, Peter Illenyi, Budapest Scoring Orchestra | A Minor | 3 | 8A | 115 BPM | ||
| Hanging D | Joep Beving | A Minor | 4 | 8A | 153 BPM | ||
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
| Mozart: Violin Sonata No. 27 in G Major, K. 379: II. (f) Variation V | Wolfgang Amadeus Mozart, Daniel Hope, Sebastian Knauer | D Major | 1 | 10B | 156 BPM | ||
| Adagio for Strings and Organ in G Minor | Remo Giazotto, Stuttgart Chamber Orchestra, Karl Münchinger | C Minor | 1 | 5A | 66 BPM | ||
| Patterns (cypher) | Max Richter, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow | G Minor | 0 | 6A | 72 BPM |