Diego Ortiz, Bettina Hoffmann, Modo Antiquo's ' "Trattado de glosas: Quinta Pars" was released on its scheduled release date, October 1, 2012. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Trattado de glosas: Quinta Pars's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Opere complete per Viola da Gamba". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Trattado de glosas: Quinta Pars is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Trattado de glosas: Quinta Pars by Diego Ortiz, Bettina Hoffmann, Modo Antiquo having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Libera Nos, Salva Nos à 5 | Thomas Tallis, Fretwork | C Minor | 0 | 5A | 131 BPM | ||
| Couperin, L: Fantaisie pour les Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Concerto II in Mi minore RV 133: Largo | Modo Antiquo, Federico Maria Sardelli | B Minor | 1 | 10A | 96 BPM | ||
| Lute Sonata No. 11 in D Minor: V. Sarabande | Silvius Leopold Weiss, Robert Barto | D♭ Minor | 0 | 12A | 120 BPM | ||
| Jesus Christus, unser Heiland | Samuel Scheidt, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 70 BPM | ||
| Saltarello | Joan Ambrosio Dalza, Ronn McFarlane, Mark Cudek | D♭ Major | 1 | 3B | 128 BPM | ||
| Second livre de pièces pour le pardessus de viole: La Desmé, Rondeau | Nicolas Lendormy, Les Kapsber'girls | A Minor | 1 | 8A | 78 BPM | ||
| Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
| Lute Sonata in E-Flat Major, Op. 1, No. 2: III. Vivace | Adam Falckenhagen, Andrew Maginley | D♭ Minor | 2 | 12A | 91 BPM | ||
| Sonata No. 103 in B-Flat Major: III. Courante | Silvius Leopold Weiss, Evangelina Mascardi | A Major | 1 | 11B | 82 BPM | ||
| Concerto X in Re Maggiore RV 121: Allegro molto | Modo Antiquo, Federico Maria Sardelli | A Major | 4 | 11B | 100 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Pauin (no.15) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | A♭ Major | 1 | 4B | 166 BPM | ||
| Io veggio i campi verdeggiar fecondi | Francesca Caccini, Shannon Mercer, Luc Beauséjour, Sylvain Bergeron, Amanda Keesmaat | F Major | 0 | 7B | 72 BPM | ||
| Courante: Corante | Robert Ballard, Joachim Held | A Major | 2 | 11B | 164 BPM | ||
| A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
| Harp Consort No. 9 in D Major: Pavin on a them by Cormacke | William Lawes, Robin Pharo, Ensemble Près de votre oreille | A♭ Minor | 2 | 1A | 135 BPM | ||
| Dio: Re. Mi. Fa. Sol. La | Diomedes Cato, Joachim Held | F♯ Minor | 1 | 11A | 87 BPM | ||
| Ricercar sexto | Jacques Buus, Musurgia Ensemble, João Francisco Távora | B Major | 1 | 1B | 170 BPM | ||
| Trattado de glosas: Recercada No. 1 | Diego Ortiz, Bettina Hoffmann, Modo Antiquo | G Minor | 1 | 6A | 84 BPM | ||
| Duets for 2 Lutes in a minor and F Major (Losy) - Allemande | Edward Martin and Paul Berget | A♭ Minor | 1 | 1A | 181 BPM | ||
| Couperin, L: La Piémontoise, G. 102 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 0 | 5B | 67 BPM | ||
| Ciaconna à 6 | Tarquinio Merula, Chorwerk Ruhr, Capella De La Torre, Florian Helgath | C Major | 1 | 8B | 170 BPM | ||
| Ballo anglese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | C Major | 1 | 8B | 95 BPM | ||
| Couperin, L: Fantaisie de Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 62 BPM | ||
| In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM |