"Season Shifting - Robert Lippok Rework" by Niklas Paschburg, Robert Lippok had its release date on July 23, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Post-Svalbard". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Season Shifting - Robert Lippok Rework's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Season Shifting - Robert Lippok Rework by Niklas Paschburg, Robert Lippok having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Came And Left | Cedric Vermue | F Minor | 2 | 4A | 158 BPM | ||
| Last to Let Go - Daigo Hanada Rework | Richard Luke, Daigo Hanada | C Minor | 1 | 5A | 98 BPM | ||
| Duvet - Ed Carlsen Rework | Niklas Paschburg, Ed Carlsen | D♭ Major | 4 | 3B | 109 BPM | ||
| Næturdögg | Eydís Evensen | A♭ Minor | 1 | 1A | 67 BPM | ||
| Orion I | Peter Sandberg | C Minor | 2 | 5A | 180 BPM | ||
| The Twelve Theme | Federico Albanese | D♭ Major | 0 | 3B | 135 BPM | ||
| Mallimack - Hayden Thorpe Rework | Erland Cooper, Hayden Thorpe | D♭ Minor | 0 | 12A | 62 BPM | ||
| We Were There | Federico Albanese | F Minor | 1 | 4A | 135 BPM | ||
| Berceuse Rework | Felix Rösch, mondëna quartet | C Minor | 2 | 5A | 78 BPM | ||
| Skreevar | Erland Cooper, Marta Salogni | A Minor | 4 | 8A | 128 BPM | ||
| Carry Me | Kyle McEvoy, Sunshine Recorder | F Major | 2 | 7B | 85 BPM | ||
| Empty City | Sophie Hutchings | G Minor | 0 | 6A | 77 BPM | ||
| Fyrsta | Ólafur Arnalds | C Minor | 1 | 5A | 134 BPM | ||
| Release | Poppy Ackroyd | A Major | 2 | 11B | 102 BPM | ||
| Pink And Golden Billows | Brambles | A♭ Minor | 3 | 1A | 120 BPM | ||
| Refugees | Laura Masotto, Roger Goula | G Minor | 5 | 6A | 156 BPM | ||
| Koyo | Chequerboard | E Minor | 5 | 9A | 120 BPM | ||
| Sanft verblassen die Geschichten | Bersarin Quartett | F Minor | 3 | 4A | 143 BPM | ||
| As I Was - Slow Meadow Rework | Olivia Belli, Slow Meadow | G Major | 1 | 9B | 91 BPM | ||
| Opera | Niklas Paschburg, Andy Barlow | C Minor | 1 | 5A | 104 BPM | ||
| Like Foam | Dmitry Evgrafov | E Minor | 2 | 9A | 146 BPM | ||
| Hypnagogia | Vetle Nærø | F Minor | 0 | 4A | 210 BPM | ||
| Intro | Phoria | B♭ Major | 2 | 6B | 68 BPM | ||
| We Can Only Love Through Suffering - Brambles Rework | Slow Meadow, Brambles | E♭ Minor | 3 | 2A | 82 BPM | ||
| Respite | Ólafur Arnalds | A♭ Major | 0 | 4B | 131 BPM |