"Concerning Celestial Hierarchy" by Jozef Van Wissem, Jim Jarmusch had its release date on June 6, 2025. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "The Day The Angels Cried". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. The popularity of Concerning Celestial Hierarchy is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerning Celestial Hierarchy by Jozef Van Wissem, Jim Jarmusch having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| the lighthouse. | Jeune Oji | E♭ Major | 0 | 5B | 51 BPM | ||
| Mooreiche, moosige | Matthias Loibner | B♭ Major | 3 | 6B | 78 BPM | ||
| Apocalypse Explained | Jozef Van Wissem and Jim Jarmusch, Jozef Van Wissem, Jim Jarmusch | E Major | 3 | 12B | 79 BPM | ||
| Okt I | Girls in Airports, Halvcirkel | F♯ Minor | 0 | 11A | 129 BPM | ||
| The Most Special Place | Elori Saxl | F Major | 1 | 7B | 53 BPM | ||
| Urban Poem - Prélude | Guillaume Latil, Matheus Donato | E Minor | 3 | 9A | 140 BPM | ||
| IN I | Violeta García | F Major | 4 | 7B | 53 BPM | ||
| Jazz for Drowned Cities | Arve Henriksen, Eivind Aarset, Terje Isungset | D♭ Minor | 0 | 12A | 70 BPM | ||
| Dream 0 - Pt. 4 | Max Richter, Grace Davidson, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj | F Minor | 0 | 4A | 69 BPM | ||
| 122 | Dictaphone | E Minor | 3 | 9A | 144 BPM | ||
| low clouds hang, this land is on fire | Tashi Dorji | E♭ Major | 0 | 5B | 51 BPM | ||
| Cabin Six | William Tyler | D♭ Major | 2 | 3B | 64 BPM | ||
| fragment of | Ambre Ciel | G Major | 0 | 9B | 172 BPM | ||
| La Marea | Bryan Senti, Spencer Zahn, Noah Hoffeld, Czech National Symphony | D Minor | 2 | 7A | 101 BPM | ||
| Washing Machine | Jessica Moss | A Minor | 1 | 8A | 139 BPM | ||
| BEL(II). | Kathryn Joseph | E♭ Major | 1 | 5B | 88 BPM | ||
| still | Tashi Dorji | E♭ Major | 0 | 5B | 51 BPM | ||
| Solace | Girls in Airports, Halvcirkel | F♯ Minor | 0 | 11A | 129 BPM | ||
| The Final Year of Blossom | Roger Eno, Grace Davidson | A Major | 1 | 11B | 68 BPM | ||
| 26 | Spafford Campbell | D Major | 3 | 10B | 117 BPM | ||
| Press One | Jack Sheen, Apartment House | E♭ Major | 0 | 5B | 51 BPM | ||
| Death Cult | Divide And Dissolve | A♭ Major | 8 | 4B | 101 BPM | ||
| Kavana | Den Sorte Skole | G Minor | 4 | 6A | 76 BPM | ||
| Threshing Fields | Jim Jarmusch, Lee Ranaldo, Marc Urselli, Balazs Pandi | C Major | 5 | 8B | 90 BPM | ||
| Désintegration (Version for Flute and String Quintet) | JB Dunckel, Shuichi Okada, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Marie Laforge, Harry Allouche | E♭ Major | 0 | 5B | 51 BPM |