Steve Reich, Alan Pierson, Alarm Will Sound's 'Radio Rewrite: V. Fast' had a release date set for September 26, 2014. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Radio Rewrite: V. Fast's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Radio Rewrite". In this album, this song's track order is #9. Radio Rewrite: V. Fast is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Radio Rewrite: V. Fast by Steve Reich, Alan Pierson, Alarm Will Sound having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| M - Music I - Inside C - Curved E-Entrances | Terry Riley | F♯ Minor | 6 | 11A | 100 BPM | ||
| Threads: I. Prelude - | Paul Lansky, Sō Percussion | B Minor | 1 | 10A | 128 BPM | ||
| Music for 18 Musicians (modular version): Section II | Steve Reich, Ensemble Signal | A Major | 5 | 11B | 110 BPM | ||
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| Police Police Police Police Police | David Moore, Bing & Ruth | D♭ Minor | 1 | 12A | 79 BPM | ||
| Moscow Is in the Telephone | Christian Erik Frederickson, Jason Bingham Noble, Rachel Grimes, Rachel's | E Minor | 2 | 9A | 61 BPM | ||
| Jynweythek ylow (Arr. J. Orfe) | Aphex Twin, Alarm Will Sound, Allan Pierson | D♭ Major | 6 | 3B | 180 BPM | ||
| Les heures flottantes | Delphine Dora | B♭ Minor | 1 | 3A | 96 BPM | ||
| Buddha - version 2 | Julius Eastman, Emmanuel Jacob Lacopo, Amelya N.S.H. | E♭ Major | 0 | 5B | 60 BPM | ||
| Echi di primavera | Fabio Massimo Capogrosso | E Major | 1 | 12B | 68 BPM | ||
| Music for 18 Musicians: Section II | Steve Reich | D Major | 6 | 10B | 105 BPM | ||
| 2c | Kara-Lis Coverdale | F Minor | 3 | 4A | 81 BPM | ||
| Apreludes (In C Sharp Major) | Stars Of The Lid | D♭ Major | 0 | 3B | 138 BPM | ||
| Let Us Go Into The House Of The Lord/Butterfly Sunday | Harold Budd | D♭ Major | 0 | 3B | 173 BPM | ||
| Quyulyxyz | ZylyP | B Minor | 2 | 10A | 123 BPM | ||
| Blue Calx (Arr. C. Burhans) | Aphex Twin, Alarm Will Sound, Allan Pierson | B Minor | 2 | 10A | 135 BPM | ||
| Fleeting Future | Akusmi | C Major | 6 | 8B | 104 BPM | ||
| Panorama | Oval | F♯ Major | 0 | 2B | 110 BPM | ||
| Falaise | Floating Points | B Minor | 4 | 10A | 143 BPM | ||
| Ho Renomo | Cluster, Brian Eno | D Major | 2 | 10B | 114 BPM | ||
| Water Fields | Ryan Lott | G Major | 3 | 9B | 124 BPM | ||
| The Cave, Act I Scene 10: Genesis XXI | Steve Reich, The Steve Reich Ensemble, Paul Hillier, Cheryl Bensman-Rowe, Hugo Munday, James Bassi, Marion Beckenstein | D Minor | 4 | 7A | 156 BPM | ||
| Brutal Ardour (Variation On 'The Canon In D Major' By Johann Pachelbel) - Remastered 2004 | Brian Eno | D Major | 2 | 10B | 83 BPM | ||
| Real Feelings | Shaan Rhythm | A♭ Major | 3 | 4B | 152 BPM | ||
| Window Seat | Portico Quartet | A♭ Minor | 3 | 1A | 198 BPM |