"Stacey Benton" by Stephen Rennicks had its release date on October 16, 2015. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Room (Original Motion Picture Soundtrack)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. The popularity of Stacey Benton is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stacey Benton by Stephen Rennicks having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haar over Hamnavoe - Bill Ryder-Jones Rework | Erland Cooper, Bill Ryder-Jones | A♭ Major | 1 | 4B | 165 BPM | ||
| The Worst Thing I Ever Did | Rachel Portman | E Minor | 0 | 9A | 165 BPM | ||
| The Horizon To Which We Go | Alex Kozobolis | B Major | 2 | 1B | 68 BPM | ||
| Jacob's Prayer | Emile Mosseri | D♭ Major | 1 | 3B | 81 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| Limit | Oliver Coates | N/A | N/A | N/A | 0 BPM | ||
| Connell Thinks of Marianne | Stephen Rennicks | A Minor | 2 | 8A | 80 BPM | ||
| Ask Her to the Debs | Stephen Rennicks | D Major | 0 | 10B | 67 BPM | ||
| Baptism | Brad Oberhofer, Oberhofer | C Major | 1 | 8B | 67 BPM | ||
| Bedroom | Christopher Bear, Daniel Rossen | C Minor | 1 | 5A | 70 BPM | ||
| I'm Just Me | Jordyn Aurora Aquino, Stephen Rennicks | G Major | 3 | 9B | 80 BPM | ||
| Klangfall | Joep Beving | A♭ Major | 1 | 4B | 120 BPM | ||
| Skype Sweet | Stephen Rennicks | D♭ Major | 3 | 3B | 127 BPM | ||
| Both Girls | Kris Bowers | F Major | 1 | 7B | 114 BPM | ||
| Forgiveness | Ari Posner, Amin Bhatia | E Minor | 0 | 9A | 87 BPM | ||
| New Wonder | Oliver Coates | E Major | 2 | 12B | 84 BPM | ||
| Any Other Name | Thomas Newman | G Minor | 0 | 6A | 78 BPM | ||
| I Felt Guilty | Ólafur Arnalds | F♯ Minor | 0 | 11A | 68 BPM | ||
| A Quiet Life | Marco Beltrami | E Major | 2 | 12B | 117 BPM | ||
| April 23, 1996 | Davis John Patton | E♭ Major | 3 | 5B | 127 BPM | ||
| See You | Christopher Bear, Daniel Rossen | F Major | 2 | 7B | 159 BPM | ||
| Pretty Extraordinary Things | Kevin Smuts | B Minor | 0 | 10A | 93 BPM | ||
| Moron | Anton Sanko | A♭ Major | 1 | 4B | 99 BPM | ||
| From Czechoslovakia to Orr Street | Brad Oberhofer, Oberhofer | A♭ Minor | 0 | 1A | 80 BPM | ||
| Consolation | Jon Brion | F Major | 0 | 7B | 68 BPM |