"Two Worlds" by Peter Buffett had its release date on January 1, 2002. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Ojibwe - Waasa Inaabidaa". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Two Worlds's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Two Worlds by Peter Buffett having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Vanishing Breed | Robbie Robertson, The Red Road Ensemble | F♯ Major | 4 | 2B | 99 BPM | ||
| Half Dome | Mars Lasar | F Minor | 4 | 4A | 129 BPM | ||
| Main Title - The Arrival - Search For Home | Jeff Barry, Peter Buffett, John Barry | E Major | 1 | 12B | 76 BPM | ||
| Sitting Alone | Ernesto Vallini, Tom Hall | F Major | 2 | 7B | 55 BPM | ||
| Still Circles on the Pond | Kairo Yume | E♭ Major | 3 | 5B | 129 BPM | ||
| The Forgotten Temple | Hytale, Oscar Garvin | E♭ Major | 3 | 5B | 129 BPM | ||
| Laberintos | Formas Correctas | E Minor | 2 | 9A | 140 BPM | ||
| Aoi to Aka | Kairo Yume | E♭ Major | 3 | 5B | 129 BPM | ||
| A Celtic Story | Jon Mark | E♭ Major | 0 | 5B | 67 BPM | ||
| New West | Peter Buffett | E Minor | 3 | 9A | 127 BPM | ||
| Between the Shelves | Lord Pecalon | E♭ Major | 3 | 5B | 129 BPM | ||
| Tintagel | Jon Mark | C Minor | 1 | 5A | 82 BPM | ||
| Essence of Dreams | Catherine Duc | G Minor | 7 | 6A | 85 BPM | ||
| Mei-Yin Codex Archives - Until We Meet Again | Gareth Coker | E♭ Major | 3 | 5B | 129 BPM | ||
| Lacunae | Peter Buffett | G Major | 2 | 9B | 172 BPM | ||
| Nunca Hay Prisa | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | F Minor | 2 | 4A | 100 BPM | ||
| The Long Walk | Peter Buffett | B♭ Minor | 2 | 3A | 66 BPM | ||
| Stillness of the Aurora | Frederic Delarue | C Minor | 2 | 5A | 174 BPM | ||
| Tara - Choral Version | Bill Douglas | G Minor | 2 | 6A | 120 BPM | ||
| Circle's Edge | Tim Wheater | G Major | 2 | 9B | 95 BPM | ||
| Novus Pt. 2: Magnificat | Constance Demby | E♭ Minor | 3 | 2A | 63 BPM | ||
| A State of Bliss | Hennie Bekker | F Minor | 1 | 4A | 62 BPM | ||
| Omnex Phase | Klynthex | D♭ Minor | 2 | 12A | 120 BPM | ||
| Regen's Song | Gareth, Laura Sullivan | G Minor | 2 | 6A | 144 BPM | ||
| Enter The Sacred Part II | David & Steve Gordon | B♭ Minor | 2 | 3A | 168 BPM |