In a garden so green by Anonymous, Custer LaRue, Alice Kosloski, Edwin George, Baltimore Consort Song Details

"In a garden so green" by Anonymous, Custer LaRue, Alice Kosloski, Edwin George, Baltimore Consort had its release date on January 1, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 22 in Chamber and Vocal Music (16Th-18Th Centuries, Scottish) - Cadeac, P. / Blackhall, A. / Lauder, J. (On the Banks of Helicon) by Anonymous, Baltimore Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, In a garden so green is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of In a garden so green by Anonymous, Custer LaRue, Alice Kosloski, Edwin George, Baltimore Consort is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -23.605 dB
Acousticness: 96%
Danceability: 30%
Energy: 4%
Instrumentalness: 0%
Liveness: 9%
Loudness: 61%
Speechiness: 5%
Valence: 14%

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