"Traditional Slavic Christmas Music" by Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier had its release date on June 1, 2005. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Modest Mussorgsky, Bournemouth Symphony Orchestra, José Serebrier's "Mussorgsky: Pictures at an Exhibition / Boris Godunov" album is number 17 out of 17. On top of that, Hong Kong appears to be the country where this track was created. Traditional Slavic Christmas Music is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Traditional Slavic Christmas Music by Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O viridissima virga | Hildegard von Bingen, Chloe Flower, English National Opera Chorus, Jessica Cottis, James Hawkins, Academy of St. Martin in the Fields | D♭ Major | 5 | 3B | 138 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): VI. The Saga of Jenny | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
| Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata. Allegro | Charles-Marie Widor, Christian Schmitt | F Major | 3 | 7B | 104 BPM | ||
| Rameau: Les Boréades, Act 4: Entrée de Polymnie | Jean-Philippe Rameau, Gyorgy Vashegyi, Orfeo Orchestra | D Major | 2 | 10B | 122 BPM | ||
| Rhosymedre - No 2 of Three Preludes founded on Welsh Hymn Tunes | Ralph Vaughan Williams, William McVicker | G Major | 0 | 9B | 61 BPM | ||
| The Music Makers, Op. 69: V. A breath of our inspiration | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| In the Manger (Arr. Leopold Stokowski) | Mikhail Mikhaylovich Ippolitov-Ivanov, Matthias Bamert, BBC Philharmonic | C Major | 0 | 8B | 89 BPM | ||
| 8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | ||
| The Sacred Veil: XII. Child of Wonder | Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards | C Minor | 0 | 5A | 66 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| A Hymne to God the Father | Pelham Humfrey, Grace Davidson, Julian Perkins | G Major | 2 | 9B | 99 BPM | ||
| Sailing By | Ronald Binge, New London Orchestra, Ronald Corp | B♭ Major | 1 | 6B | 132 BPM | ||
| Whitacre: Lux Aurumque | Eric Whitacre, Eric Whitacre Singers | D♭ Minor | 0 | 12A | 72 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | ||
| Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | ||
| Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM | ||
| Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | ||
| The Old Fisherman's Song | Johan Halvorsen, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | E Minor | 1 | 9A | 175 BPM | ||
| Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | ||
| Ochre: I. Siderite | Caroline Shaw, The Crossing, Donald Nally, Dan Schwartz | D Major | 1 | 10B | 128 BPM | ||
| Montgomery Variations: IV. Dawn in Dixie | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 168 BPM | ||
| Préludes / Book 1, L. 117: La fille aux cheveux de lin (Arr. Koncz) | Claude Debussy, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 72 BPM | ||
| Gli uccelli (The Birds), P. 154: V. Il cucu. Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 181 BPM | ||
| Glazunov: Suite from Raymonda, Op. 57a: XI. Grand pas d'action. Grand adagio | Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra | A Major | 2 | 11B | 90 BPM |