On January 1, 1990, the song "Comin' from All Ends" was released by The New Birth. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "The Very Best Of The". In this album, this song's track order is #1. In terms of popularity, Comin' from All Ends is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Comin' from All Ends by The New Birth having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| (If Loving You Is Wrong) I Don't Want To Be Right | David Ruffin | E Minor | 6 | 9A | 139 BPM | ||
| If It Don't Turn You On (You Oughta Leave It Alone) | B.T. Express | D Major | 6 | 10B | 197 BPM | ||
| Family Reunion | The O'Jays | C Major | 6 | 8B | 91 BPM | ||
| I Can Understand It | The New Birth | A♭ Minor | 8 | 1A | 125 BPM | ||
| Summer Of Our Love | The Bar-Kays | G Minor | 5 | 6A | 150 BPM | ||
| Can I | Eddie Kendricks | B♭ Major | 3 | 6B | 68 BPM | ||
| Hurry Up This Way Again | The Stylistics | A Minor | 6 | 8A | 150 BPM | ||
| Don't Ask My Neighbors | The Emotions | D♭ Major | 5 | 3B | 140 BPM | ||
| Ain't It Strange - Remastered | Maze, Frankie Beverly | F♯ Minor | 7 | 11A | 94 BPM | ||
| In The Rain | The Dramatics | A♭ Minor | 5 | 1A | 73 BPM | ||
| Daylight & Darkness - Single Version | Smokey Robinson | G Minor | 5 | 6A | 87 BPM | ||
| To Be Invisible | Gladys Knight & The Pips | C Major | 6 | 8B | 85 BPM | ||
| If I Could Meet You | The Dynamic Superiors | F Minor | 7 | 4A | 136 BPM | ||
| Who Can I Run To | The Jones Girls | D♭ Minor | 4 | 12A | 144 BPM | ||
| Rainy Night In Georgia | David Ruffin | F♯ Minor | 6 | 11A | 124 BPM | ||
| You and I | Black Ivory | E♭ Major | 5 | 5B | 127 BPM | ||
| Thin Line Between Love and Hate | The Persuaders | A♭ Minor | 4 | 1A | 119 BPM | ||
| Just Call My Name | Alyson Williams | A♭ Major | 3 | 4B | 122 BPM | ||
| So so Satisfied | Ashford & Simpson | E♭ Major | 4 | 5B | 80 BPM | ||
| Can't Stay Away | Bootsy Collins | A♭ Major | 5 | 4B | 74 BPM | ||
| Strangers In Dark Corners | Tavares | D♭ Major | 7 | 3B | 144 BPM | ||
| Something In The Past | One Way, Al Hudson | F♯ Minor | 2 | 11A | 126 BPM | ||
| (Let Me Put) Love On Your Mind | Con Funk Shun | E Minor | 6 | 9A | 139 BPM | ||
| How Can You Stop Loving Someone | The Emotions | D♭ Major | 3 | 3B | 143 BPM | ||
| No Stronger Love | The Floaters | F Major | 4 | 7B | 63 BPM |