"Depression After Eating" by One Morning Left had its release date on January 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "The Bree-TeenZ". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Finland. In terms of popularity, Depression After Eating is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Depression After Eating by One Morning Left having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Under The Eagle | Silent Descent | D♭ Major | 10 | 3B | 110 BPM | ||
| Whydah Gally | VENUES | B Minor | 10 | 10A | 95 BPM | ||
| Gold Blooded | InVisions | A♭ Major | 10 | 4B | 180 BPM | ||
| The Baddest | Andromida, Johari | A Major | 10 | 11B | 150 BPM | ||
| Come Whatever May | Any Given Day | A Minor | 10 | 8A | 85 BPM | ||
| The Way That I Am | Escape The Day | B Minor | 10 | 10A | 138 BPM | ||
| The Devil & Lovers | Vicious Rain | B♭ Minor | 10 | 3A | 77 BPM | ||
| 112 | Lost Society | F Major | 10 | 7B | 111 BPM | ||
| Bloodline | Arion, Noora Louhimo | F♯ Major | 10 | 2B | 101 BPM | ||
| Hero One | My Diligent Future | B Minor | 10 | 10A | 140 BPM | ||
| The Lamb Lies Down In Sacrifice | Ember Falls | D♭ Major | 10 | 3B | 95 BPM | ||
| Pyrochemical | Beyond Awareness | A Minor | 10 | 8A | 135 BPM | ||
| Balboa | Blind Channel | D Major | 7 | 10B | 144 BPM | ||
| Hurt Like You've Never Been Loved | Silent Descent | B Major | 10 | 1B | 115 BPM | ||
| Hi-Tech Terror | Illidiance | B♭ Major | 10 | 6B | 105 BPM | ||
| Brainwash Broadcast | Dragged Under, Spencer Chamberlain | G Major | 9 | 9B | 130 BPM | ||
| Gravedigger | I Am Your God | A♭ Major | 10 | 4B | 120 BPM | ||
| Reflect | Doomcrusher | F♯ Major | 10 | 2B | 108 BPM | ||
| Haunted House | VENUES | G Minor | 3 | 6A | 119 BPM | ||
| DRAW THE LINE | From Fall to Spring | G Minor | 9 | 6A | 145 BPM | ||
| Freakshow | Samurai Pizza Cats, Maria Lessing, Future Palace | D♭ Minor | 10 | 12A | 110 BPM | ||
| Final Dance | Electric Callboy | C Minor | 9 | 5A | 140 BPM | ||
| Heaven Shall Burn | Writing The Future | B♭ Minor | 10 | 3A | 140 BPM | ||
| Escapers of Paradise | Balance Breach | D♭ Major | 10 | 3B | 125 BPM | ||
| DEADZONE | Blind Channel | D Minor | 8 | 7A | 102 BPM |