Tony Martin's 'When Did You Leave Heaven' had a release date set for November 3, 2009. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. When Did You Leave Heaven's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tony Martin's "How Can it Be Told" album is number 34 out of 36. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, When Did You Leave Heaven is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of When Did You Leave Heaven by Tony Martin to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Begin the Beguine | Tony Martin | G Major | 1 | 9B | 145 BPM | ||
| Am I Blue | Annette Hanshaw | F Major | 2 | 7B | 127 BPM | ||
| Hey There | Johnnie Ray | F Major | 2 | 7B | 80 BPM | ||
| Shadow Waltz | Rudy Vallee and His Connecticut Yankees | A Major | 4 | 11B | 103 BPM | ||
| True Confession | Larry Clinton | B♭ Minor | 1 | 3A | 89 BPM | ||
| Oh! What It Seemed to Me | Frankie Carle | A Major | 4 | 11B | 103 BPM | ||
| Dream Valley | Tony Martin | F Minor | 3 | 4A | 169 BPM | ||
| My Foolish Heart | Billy Eckstine | A Major | 2 | 11B | 171 BPM | ||
| Life Is Just a Bowl of Cherries | Jack Hylton & His Orchestra | D♭ Minor | 4 | 12A | 155 BPM | ||
| Down by the Riverside | The Four Lads | G Major | 5 | 9B | 91 BPM | ||
| So Rare | Carroll Gibbons, The Savoy Hotel Orpheans | C Major | 2 | 8B | 122 BPM | ||
| You Were Never Lovelier | Paul Whiteman & His Orchestra, Larry Neil | E♭ Major | 1 | 5B | 92 BPM | ||
| It's Only a Paper Moon | Lee Wiley | A Major | 4 | 11B | 103 BPM | ||
| Naughty lady of shady lane | The Ames Brothers | B♭ Minor | 6 | 3A | 131 BPM | ||
| Let Me Call You Sweetheart - Remastered | Joni James | C Major | 2 | 8B | 92 BPM | ||
| I Can't Remember | Rudy Vallee and His Connecticut Yankees | A Major | 4 | 11B | 103 BPM | ||
| There's Only One of You | The Four Lads | F♯ Major | 6 | 2B | 120 BPM | ||
| Around the World | Ronnie Hilton | A Major | 4 | 11B | 103 BPM | ||
| All My Love | Patti Page | A♭ Major | 2 | 4B | 125 BPM | ||
| About a Quarter to Nine - From Paper Moon | Ozzie Nelson & His Orchestra | B♭ Major | 6 | 6B | 113 BPM | ||
| Arrivederci, Roma | Jerry Vale | G Major | 3 | 9B | 91 BPM | ||
| Till There Was You | Anita Bryant | A Major | 4 | 11B | 103 BPM | ||
| Roses Of Picardy | Buddy Greco | G Minor | 4 | 6A | 183 BPM | ||
| One Dozen Roses | Connee Boswell | A Minor | 2 | 8A | 93 BPM | ||
| Ballerina | Buddy Clark | B♭ Major | 1 | 6B | 135 BPM |