Beverly Kenney's 'A Lover Like You' had a release date set for January 1, 1958. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 12 in Beverly Kenney Sings For Playboys by Beverly Kenney. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, A Lover Like You is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Lover Like You by Beverly Kenney is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Why Don't We Try Staying Home? | Susannah McCorkle | F♯ Major | 0 | 2B | 104 BPM | ||
| いそしぎ | Keiko Lee | F Minor | 1 | 4A | 184 BPM | ||
| In your arms | Intimate Vibes | C Minor | 0 | 5A | 80 BPM | ||
| Robot Planet | Pangolin Paradox | B♭ Minor | 2 | 3A | 116 BPM | ||
| April Age | Cleo Laine | F Minor | 1 | 4A | 81 BPM | ||
| It Isn't So Good | Irene Kral | A♭ Major | 4 | 4B | 108 BPM | ||
| Boulevard of Broken Dreams | Helen O'Connell | A Minor | 1 | 8A | 71 BPM | ||
| In The Wee Small Hours Of The Morning | Ann Burton, Louis Van Dijk, Piet Noordijk | F Major | 1 | 7B | 110 BPM | ||
| Maybe Baby | Hal David, John Cacavas | G Major | 3 | 9B | 96 BPM | ||
| Whiskers in the Moonlight | Svenno X | D♭ Major | 1 | 3B | 121 BPM | ||
| Angel Eyes | Anita O'Day | E♭ Major | 1 | 5B | 95 BPM | ||
| It's a Quiet Thing | Morgana King | A Major | 1 | 11B | 81 BPM | ||
| All Night Long | George Shearing Quintet, Nancy Wilson | F♯ Minor | 0 | 11A | 66 BPM | ||
| Forgotten How to Say Goodbye | Steven Taetz, Tia Brazda | E♭ Major | 3 | 5B | 140 BPM | ||
| It's A Beautiful Evening | Dorothy Dandridge | G Major | 2 | 9B | 77 BPM | ||
| Crazy He Calls Me | Anita O'Day | B♭ Major | 1 | 6B | 69 BPM | ||
| Wise Women Know | Soesja Citroen, Berend van den Berg, Ruud Ouwehand | F Major | 1 | 7B | 57 BPM | ||
| Winter Says Hello | Timeless Tone | A♭ Major | 2 | 4B | 129 BPM | ||
| Say It Ain't So, Joe | Dakota Staton | B♭ Minor | 3 | 3A | 91 BPM | ||
| A Nightingale Sang In Berkeley Square | Anita O'Day | G Major | 1 | 9B | 102 BPM | ||
| Porgy, I's Your Woman Now/I Loves You , Porgy | Roberta Gambarini | C Minor | 1 | 5A | 85 BPM | ||
| Do Nothin' Til You Hear From Me | Ann Hampton Callaway | D♭ Major | 2 | 3B | 69 BPM | ||
| In Sunday Jazz | Intimate Vibes | D♭ Major | 0 | 3B | 183 BPM | ||
| there used to be you | CIEWUING BAND | A Minor | 3 | 8A | 126 BPM | ||
| Miles to Go | Clover Keys Music | B♭ Major | 3 | 6B | 103 BPM |