On July 5, 2005, the song "Last Exit" was released by Calvin Keys. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vertical Clearance by Calvin Keys. The song's track number on the album is #11 out of 11 tracks. Based on our statistics, Last Exit's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Last Exit by Calvin Keys has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Last Exit being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Two-Headed Freap | Ronnie Foster | F Minor | 5 | 4A | 134 BPM | ||
| Oleo | Calvin Keys | B♭ Minor | 4 | 3A | 104 BPM | ||
| Modaji | Harvey Mason | D Major | 3 | 10B | 92 BPM | ||
| Morning Glory | Eric Gale | D Major | 4 | 10B | 81 BPM | ||
| Farewell To Rashan | Bennie Maupin | F Major | 1 | 7B | 143 BPM | ||
| Equipoise | Stanley Cowell | B Minor | 4 | 10A | 140 BPM | ||
| Djinji | Marion Brown | B♭ Minor | 5 | 3A | 80 BPM | ||
| Psychicemotus | Yusef Lateef | D Major | 3 | 10B | 152 BPM | ||
| First Come, First Served | Ramon Morris | C Major | 6 | 8B | 178 BPM | ||
| El Chico | Chico Hamilton | F Minor | 8 | 4A | 68 BPM | ||
| Sinbad | Weldon Irvine | C Major | 6 | 8B | 128 BPM | ||
| Ajafika | Calvin Keys, Gregory Howe | D Major | 8 | 10B | 147 BPM | ||
| Influx | NAXY CHILL | A♭ Minor | 3 | 1A | 90 BPM | ||
| I've Had A Little Talk | Horace Silver | F♯ Major | 8 | 2B | 123 BPM | ||
| Joy | Akira Ishikawa & Count Buffaloes | F Major | 3 | 7B | 140 BPM | ||
| Tenor Badness | Marty Krystall, Buell Neidlinger, Calvin Keys, Jerry Peters, Peter Erskine | D♭ Major | 4 | 3B | 116 BPM | ||
| Where I’m Coming From | Leon Spencer | G Major | 4 | 9B | 157 BPM | ||
| Turkish Bath | Weldon Irvine | G Minor | 8 | 6A | 148 BPM | ||
| Lovely Afternoon | KHAN JAMAL | A♭ Major | 8 | 4B | 175 BPM | ||
| Round and Round | Marty Krystall, Buell Neidlinger, Calvin Keys, Jerry Peters, Peter Erskine | F Minor | 4 | 4A | 95 BPM | ||
| Along Came Betty | Quincy Jones | G Minor | 5 | 6A | 97 BPM | ||
| Enchanted Lady | Milt Jackson, Ray Brown | D Minor | 4 | 7A | 83 BPM | ||
| Sea of Tranquility | Greg Foat | F Minor | 3 | 4A | 127 BPM | ||
| Before The Dawn | Patrice Rushen, Skip Shimmin | F Minor | 5 | 4A | 100 BPM | ||
| Urban Shaman | Calvin Keys | B Minor | 7 | 10A | 108 BPM |