Midori Karashima's '最後の手紙 - Studio Live Version' had a release date set for March 6, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 11 in Coral by Midori Karashima. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. 最後の手紙 - Studio Live Version is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 最後の手紙 - Studio Live Version by Midori Karashima is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Summer Candles - ライブ | Anri | B♭ Major | 2 | 6B | 137 BPM | ||
| あなたがおしえてくれた | Miki Imai | D Major | 5 | 10B | 143 BPM | ||
| ORACION ー祈りー | Yuki Saito | C Major | 3 | 8B | 76 BPM | ||
| サラダの国から来た娘 | Iruka | E Major | 3 | 12B | 101 BPM | ||
| GOOD-BYE MORNING | Mayo Shono | G Major | 3 | 9B | 74 BPM | ||
| TAXI | Kiyomi Suzuki, Rats & Star | G Major | 4 | 9B | 70 BPM | ||
| フィーリング | Junko Yamamoto | C Minor | 3 | 5A | 84 BPM | ||
| いい日旅立ち・西へ | Chihiro Onitsuka | A Minor | 4 | 8A | 101 BPM | ||
| 少しは私に愛を下さい | Kei Ogura | F♯ Minor | 1 | 11A | 80 BPM | ||
| 木蘭の涙 | Satoshi Hayashibe | E Minor | 2 | 9A | 70 BPM | ||
| 抱いて | Yuki Katsuragi | F♯ Major | 3 | 2B | 73 BPM | ||
| 22才の別れ | Kaze | G Minor | 4 | 6A | 135 BPM | ||
| 難破船 | Tokiko Kato | B♭ Minor | 5 | 3A | 90 BPM | ||
| 遠くで汽笛を聞きながら | ALICE | D♭ Major | 6 | 3B | 146 BPM | ||
| 愛燦燦-AI SAN SAN- | Mayumi Itsuwa, Kei Ogura | F Minor | 4 | 4A | 79 BPM | ||
| ホームにて | Mitsuki Takahata, KOBUDO | B♭ Major | 1 | 6B | 124 BPM | ||
| 愛を教えて | Megumi Shiina | D Major | 5 | 10B | 168 BPM | ||
| Alone | Mayo Okamoto | C Major | 5 | 8B | 78 BPM | ||
| 渡良瀬橋(カバー) | Minami Kizuki | D♭ Major | 5 | 3B | 77 BPM | ||
| ゆうこ | Kozo Murashita | A Minor | 7 | 8A | 130 BPM | ||
| Another Orion | Fumiya Fujii | G Minor | 3 | 6A | 146 BPM | ||
| 私がいる | Satoko Ishimine | D Major | 4 | 10B | 99 BPM | ||
| 時代おくれ('93バージョン) | Eigo Kawashima | E♭ Major | 2 | 5B | 142 BPM | ||
| Mou Warau Shikanai | Eri Hiramatsu | A♭ Major | 10 | 4B | 120 BPM | ||
| 白いページの中に | Mana Kana | A Major | 3 | 11B | 108 BPM |