"Remants Left" by Circle of Contempt had its release date on November 23, 2009. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 11 in Artifacts In Motion by Circle of Contempt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Remants Left's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Remants Left by Circle of Contempt is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vision Red | Elitist | B Minor | 10 | 10A | 100 BPM | ||
| When the Silence of Absence Deepens | Olympus Lenticular | G Major | 9 | 9B | 120 BPM | ||
| Seeking | The Afterimage | D♭ Minor | 10 | 12A | 150 BPM | ||
| Soul Is Dead | Glass Cloud | D Major | 10 | 10B | 137 BPM | ||
| Redeeming The Wretched | After The Burial | D♭ Major | 10 | 3B | 105 BPM | ||
| Benzaiten - Instrumental | Oceans Ate Alaska | B Major | 7 | 1B | 117 BPM | ||
| Maxims | Pomegranate Tiger | E Major | 10 | 12B | 101 BPM | ||
| Awaken | Uneven Structure | B♭ Minor | 9 | 3A | 164 BPM | ||
| The Modern Rage | Kadinja | B Minor | 10 | 10A | 130 BPM | ||
| Double Helix | Sithu Aye | B Minor | 9 | 10A | 154 BPM | ||
| Ascend from Disruption | Circle of Contempt | C Major | 10 | 8B | 130 BPM | ||
| Desolate | Petroglyphs | B♭ Minor | 10 | 3A | 128 BPM | ||
| Encounter... | Structures | B♭ Minor | 10 | 3A | 134 BPM | ||
| Ostrich Dynasty | The Dali Thundering Concept | B♭ Minor | 9 | 3A | 130 BPM | ||
| Horcrux | Monuments | G Minor | 9 | 6A | 108 BPM | ||
| Esoteric Agenda | The HAARP Machine | C Major | 10 | 8B | 180 BPM | ||
| Thousand-Arms Fortress | Returning We Hear the Larks | A Major | 9 | 11B | 101 BPM | ||
| Stonewalker | I Built the Sky, Jake Howsam Lowe | F♯ Minor | 9 | 11A | 90 BPM | ||
| Fruit of the Poisonous Tree | Flux Conduct | C Minor | 9 | 5A | 98 BPM | ||
| Glhf | Kadinja, Rick Graham | C Major | 10 | 8B | 135 BPM | ||
| Ghost Pains | Life Barrier | D♭ Major | 9 | 3B | 120 BPM | ||
| Lower The Populace | The HAARP Machine | G Minor | 10 | 6A | 147 BPM | ||
| Manifold Agenda | Interiors | D♭ Minor | 10 | 12A | 120 BPM | ||
| Nauticus (feat. Michael LaBelle) | The Northern, Michael LaBelle | A♭ Major | 10 | 4B | 150 BPM | ||
| Dare To Defy | Circle of Contempt | A♭ Major | 10 | 4B | 150 BPM |