On 1981, the song "The Old Hometown" was released by The Seldom Scene. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. The Old Hometown's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 11 in After Midnight by The Seldom Scene. Based on our statistics, The Old Hometown's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Old Hometown by The Seldom Scene is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wait a Minute | The Seldom Scene, John Starling | B♭ Major | 3 | 6B | 142 BPM | ||
| Lonesome Old Home | Longview | F Major | 4 | 7B | 167 BPM | ||
| Dying for Someone to Live For | Gibson Brothers | A Major | 3 | 11B | 118 BPM | ||
| C & O Canal | The Seldom Scene | G Major | 1 | 9B | 176 BPM | ||
| Big Sciota | Jerry Douglas, Russ Barenberg, Edgar Meyer | G Major | 4 | 9B | 136 BPM | ||
| I'm Using My Bible For A Roadmap | Don Reno, Bill Harrell | A Major | 5 | 11B | 99 BPM | ||
| 32 Acres | The Bluegrass Cardinals | E Major | 3 | 12B | 122 BPM | ||
| Big River | Special Consensus | E♭ Major | 7 | 5B | 101 BPM | ||
| The Model Church | J.D. Crowe | F♯ Major | 4 | 2B | 126 BPM | ||
| Head Over Heels | Boone Creek | G Minor | 5 | 6A | 111 BPM | ||
| The Little Mountain Church House | Doyle Lawson, Quicksilver | D♭ Major | 2 | 3B | 186 BPM | ||
| Old Riverman | The Nashville Bluegrass Band | B Minor | 3 | 10A | 120 BPM | ||
| What Will Become of Me | Special Consensus | B♭ Major | 8 | 6B | 132 BPM | ||
| Paradise | Jim & Jesse | F Major | 4 | 7B | 182 BPM | ||
| Love, Oh Please Come Home | Reno & Smiley | D Major | 5 | 10B | 109 BPM | ||
| Ice on the Timber | The Po' Ramblin' Boys | A Major | 6 | 11B | 198 BPM | ||
| I'm Dreaming of You | The Boxcars | D Major | 6 | 10B | 98 BPM | ||
| Till The End Of The World Rolls ‘Round | The Earls Of Leicester | C Major | 7 | 8B | 118 BPM | ||
| Roll On Blues | The Johnson Mountain Boys | B♭ Major | 5 | 6B | 133 BPM | ||
| I've Never Been So Lonesome | Longview | B Major | 7 | 1B | 134 BPM | ||
| Bury Me Beneath The Weeping Willow | Ricky Skaggs, Tony Rice | G Major | 2 | 9B | 91 BPM | ||
| Sweet Baby James | The Seldom Scene | E♭ Major | 3 | 5B | 144 BPM | ||
| Winter's Come and Gone | Dailey & Vincent | B♭ Major | 5 | 6B | 106 BPM | ||
| Garfield's Blackberry Blossom | The Nashville Bluegrass Band | G Major | 7 | 9B | 128 BPM | ||
| Country Blue | East Nash Grass | B Major | 7 | 1B | 147 BPM |