- BPM
- 95
- Key
- F♯ Minor
- Camelot
- 11A
April (Snowdrop) by Tchaikovsky, Will Borders Song Details
Tchaikovsky, Will Borders's 'April (Snowdrop)' had a release date set for December 22, 2024. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. April (Snowdrop)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Seasons (Tchaikovsky) Performed by Will Borders". In this album, this song's track order is #4. In terms of popularity, April (Snowdrop) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With April (Snowdrop) by Tchaikovsky, Will Borders having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -31.621 dB
- Acousticness
- 99%
- Danceability
- 31%
- Energy
- 4%
- Instrumentalness
- 92%
- Liveness
- 10%
- Loudness
- 47%
- Speechiness
- 5%
- Valence
- 23%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Treasury of Melodies, JB 1:49: I. Preludium. Lento | Bedřich Smetana, Jitka Čechová | D Major | 0 | 10B | 119 BPM | |
 | Piano Sonata Op. 81a In in E Flat Major “Die Abwesenheit (L’Absence)”, Andante Espressivo | Lorenzo Luiselli, Beethoven | G Major | 0 | 9B | 104 BPM | |
 | Sonata in F-Sharp Major, R. 90 | Antonio Soler, Harrison Herman | D♭ Major | 2 | 3B | 73 BPM | |
 | Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 12. Andante sostenuto | Max Reger, Marc-André Hamelin | E♭ Major | 0 | 5B | 92 BPM | |
 | Serenade, Op. 7 | Gabriel Pierné, Joanna Sochacka | A♭ Major | 1 | 4B | 91 BPM | |
 | Drei Intermezzi, Op. 117 No. 1 in E-Flat Major | Johannes Brahms, Anna Miernik | F Major | 1 | 7B | 123 BPM | |
 | Lieder Ohne Worte. Op. 67,: No. 4, Spinning Song - Duo-Art 6569 | Felix Mendelssohn, Ignacy Jan Paderewski, Peter Phillips | F Major | 1 | 7B | 123 BPM | |
 | Six "Morceaux" in G Minor: Melancholie, Op. 51 No. 1 - Welte-Mignon 2592 | Anton Rubinstein, Fannie Bloomfield Zeisler, Peter Phillips | E Minor | 2 | 9A | 137 BPM | |
 | Berceuse, Op. 26 No. 7 - Welte-Mignon 970 | Ludwig Theodor Schytte, Anna Jutta Schytte, Peter Phillips | G Major | 1 | 9B | 71 BPM | |
 | 抒情小曲集 第１集 Op.12 II. ワルツ（グリーグ） | Edvard Grieg, Ewa Pobłocka | E Minor | 1 | 9A | 99 BPM | |
 | 6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C Minor | Anton Rubinstein, Martin Cousin | A♭ Major | 0 | 4B | 70 BPM | |
 | Twelve Etudes. Op. 39: No. 12, Hungarian - Duo-Art 71270 | Edward MacDowell, John Henry Powell, Peter Phillips | F Major | 1 | 7B | 123 BPM | |
 | 9 Preludes, Op. 1: No. 2, Andante con moto | Karol Szymanowski, Paolo Ceccarini | G Minor | 0 | 6A | 72 BPM | |
 | Vergessene Weisen, Op. 38 (Forgotten Melodies I): No. 3, Danza Festiva - Duo-Art 6998 | Nikolai Medtner, Peter Phillips | F♯ Major | 0 | 2B | 70 BPM | |
 | Jazz Improvisation No.14 | Leo Alfassy, Joanna Sochacka | F Major | 1 | 7B | 123 BPM | |
 | Choralgesänge: No. 93, Es stehn vor Gottes Throne, BWV 309 | Johann Sebastian Bach, Alessandro Simonetto | F Major | 1 | 7B | 123 BPM | |
 | Equanimity | Lora Chow | C Major | 0 | 8B | 69 BPM | |
 | Quatre pièces fugitives, Op. 15: No. 1, Larghetto | Clara Schumann, Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | G Minor | 1 | 6A | 91 BPM | |
 | Sonata Fantasie No. 2, Op. 19, in G-Sharp Minor - Welte-Mignon 2063 | Alexander Scriabin, Konstantin Igumnoff, Peter Phillips | E Major | 1 | 12B | 65 BPM | |
 | Scenes De Bal. Op. 17. No.2. Valse Lente - Welte-Mignon 1100 | Eduard Schuett, Carl Friedberg, Peter Phillips | D♭ Major | 0 | 3B | 71 BPM | |
 | Dos Piezas Griegas: I. Delicadamente | Antón García Abril, Laura Ballestrino | C Minor | 0 | 5A | 65 BPM | |
 | Lotus. Op. 7, No.5 (Spanish Capriccio) - Duo-Art 055 Br | Adolf Waterman, Peter Phillips | F Major | 1 | 7B | 123 BPM | |
 | 6 Romances sans paroles: No. 4, Le calme, CG 2e | Charles Gounod, Warren Lee | D♭ Major | 1 | 3B | 73 BPM | |
 | Dialogue, Op. 72, No. 8 | Pyotr Ilyich Tchaikovsky, Georgia Hall-Quick, Peter Phillips | B Major | 0 | 1B | 136 BPM | |
 | Somebody to Love (Arr. for Piano by Phillip Keveren) | Freddie Mercury, Robert Thompson | F Major | 1 | 7B | 104 BPM |
- ISRC
- QT3EY2453239
- Label
- L-M Records/RCA Records