Nate Morgan's ' "Foreign Rendezvous MIN" was released on its scheduled release date, April 12, 2019. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Foreign Rendezvous MIN's duration is considered a little bit shorter than the average duration of a typical track. This song is part of World, Vol. 1 by Various Artists. The song's track number on the album is #18 out of 25 tracks. In terms of popularity, Foreign Rendezvous MIN is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Foreign Rendezvous MIN by Nate Morgan has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Foreign Rendezvous MIN being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beauty Is a Rare Thing | Ornette Coleman | F Minor | 0 | 4A | 110 BPM | ||
| Retribution Reparation | Nate Morgan | F Minor | 5 | 4A | 112 BPM | ||
| Take Us Down to the River | Michael Naura Quartet | F Major | 4 | 7B | 97 BPM | ||
| Come Sunday | Cannonball Adderley Sextet | F♯ Major | 1 | 2B | 79 BPM | ||
| Center Stage | Marc Aaron Jacobs, Nate Morgan | D Major | 3 | 10B | 132 BPM | ||
| Opus 4 | Charles Mingus, İlhan Mimaroğlu | F Minor | 5 | 4A | 137 BPM | ||
| Endless Vision | Nate Morgan | F Major | 3 | 7B | 136 BPM | ||
| The Funky One | Jonathan Hausbaemint, Nate Morgan | C Major | 3 | 8B | 120 BPM | ||
| Water Jewels | Don Ellis, Milcho Leviev, David Cohen, John Guerin | C Major | 2 | 8B | 60 BPM | ||
| Art Deco | Don Cherry | F Major | 2 | 7B | 109 BPM | ||
| Anthem For Success | Nard Berings, Nate Morgan | A Major | 5 | 11B | 114 BPM | ||
| I Can't Wait Till I Get Home | Henry Threadgill | B Minor | 4 | 10A | 95 BPM | ||
| Lawns | Carla Bley | G Major | 0 | 9B | 120 BPM | ||
| Nacada | Gary Burton Quartet, Eberhard Weber | D Major | 0 | 10B | 66 BPM | ||
| John Coltrane | Clifford Jordan | E Minor | 4 | 9A | 112 BPM | ||
| Driving In Circles | Marc Aaron Jacobs, Nate Morgan | B♭ Minor | 2 | 3A | 129 BPM | ||
| Phone Me Sax | TIHCI | G Major | 3 | 9B | 130 BPM | ||
| Criss Cross | Calvin Keys | B♭ Minor | 5 | 3A | 119 BPM | ||
| Cartoon | Paul Bley Trio | F♯ Minor | 3 | 11A | 89 BPM | ||
| Houses & People | Carla Bley | D♭ Minor | 3 | 12A | 139 BPM | ||
| Elevator Bossa | Luciano Storti, Nate Morgan | D♭ Major | 6 | 3B | 138 BPM | ||
| The Blessing Song | Michael White | A♭ Major | 4 | 4B | 73 BPM | ||
| Good Hurt | Nard Berings, Nate Morgan | D Major | 9 | 10B | 155 BPM | ||
| Suspicious Whistler | Daniel Edward Venne, Nate Morgan | D Minor | 4 | 7A | 100 BPM | ||
| Passive Aggressive | Aashish Pathak, Nate Morgan | A Major | 9 | 11B | 198 BPM |