Connie Smith's ' "'Til I Kissed You" was released on its scheduled release date, January 6, 1976. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 'Til I Kissed You's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Song We Fell In Love To". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, 'Til I Kissed You's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 'Til I Kissed You by Connie Smith having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bottom Of The Bottle | Ira Louvin | A Major | 4 | 11B | 92 BPM | ||
| The Happiest Girl In The Whole U.S.A. | Donna Fargo | F♯ Major | 4 | 2B | 98 BPM | ||
| I Don't Want to Have to Marry You | Jim Ed Brown, Helen Cornelius | A Major | 3 | 11B | 78 BPM | ||
| In My Baby's Arms Again | Connie Smith | D Major | 5 | 10B | 146 BPM | ||
| I Want to Be with You Always | Lefty Frizzell | B♭ Major | 2 | 6B | 115 BPM | ||
| A Million and One | Billy Walker | C Major | 3 | 8B | 74 BPM | ||
| (Stolen Love Is) The Beginning of the End | George Morgan, Marion Worth | A♭ Major | 3 | 4B | 110 BPM | ||
| I Wouldn't Buy a Used Car from Him | Norma Jean | F Major | 7 | 7B | 110 BPM | ||
| How Great Thou Art | Connie Smith | F Major | 3 | 7B | 79 BPM | ||
| I'll Be There (If You Ever Want Me) | Connie Smith | D Major | 7 | 10B | 88 BPM | ||
| Sweet Desire | The Kendalls | D Major | 4 | 10B | 117 BPM | ||
| I Can't Keep You In Love With Me | The Louvin Brothers | G Major | 4 | 9B | 133 BPM | ||
| Jones On The Jukebox | Becky Hobbs | D♭ Major | 4 | 3B | 146 BPM | ||
| The Lady In the Blue Mercedes - Single Version | Johnny Duncan | G Minor | 6 | 6A | 108 BPM | ||
| Once a Day | Connie Smith | F♯ Major | 4 | 2B | 137 BPM | ||
| Take Me to Your World | Tammy Wynette | E Major | 2 | 12B | 89 BPM | ||
| The Town Where You Live | MEL STREET | E♭ Major | 4 | 5B | 87 BPM | ||
| I'm Already Blue - Original Recording | The Kendalls | D♭ Major | 3 | 3B | 178 BPM | ||
| Tiny Blue Transistor Radio | Connie Smith | D♭ Major | 4 | 3B | 124 BPM | ||
| Darling, Are You Ever Coming Home | Connie Smith | A Major | 3 | 11B | 108 BPM | ||
| All The Time | Jack Greene | B♭ Major | 2 | 6B | 100 BPM | ||
| The Great Speckled Bird / It Wasn't God Who Made Honky Tonk Angels | Jeannie Seely, Jack Greene | F Major | 5 | 7B | 64 BPM | ||
| Take Care of Our Baby | Carl Smith | F Major | 2 | 7B | 116 BPM | ||
| Maybe (I'll Get Over You Someday) | Carroll Baker | F♯ Major | 5 | 2B | 115 BPM | ||
| Funny Face | Donna Fargo | D Major | 4 | 10B | 96 BPM |