Ned Rorem, The Prince Consort's 'That Shadow, My Likeness' had a release date set for November 2, 2009. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Ned Rorem: On and Echoing Road". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, That Shadow, My Likeness is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With That Shadow, My Likeness by Ned Rorem, The Prince Consort having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liszt: Recueillement, S. 204 | Franz Liszt, Stephen Hough | B Major | 0 | 1B | 133 BPM | ||
| Ciudadano Sombra: II. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| Piano Quintet No. 1 "Margarete": I. Prelude and Chorale | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | B♭ Minor | 0 | 3A | 125 BPM | ||
| The Threepenny Opera, Act II: Pollys Lied (Arr. for Piano by Florian Noack) | Kurt Weill, Florian Noack | B Minor | 0 | 10A | 110 BPM | ||
| Maktah (berceuse phoque) (Chants de la jungle no.2) | Maurice Delage, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | E♭ Major | 0 | 5B | 128 BPM | ||
| Xàfec de Llum I Tenebres: VII. Vayamos | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | ||
| Five Little Pieces (2006 - Remaster): 4. Lullaby for a Modern Baby (Very slow) | Frederick Delius, Bournemouth Sinfonietta/Eric Fenby/Elena Duran, Eric Fenby, Bournemouth Sinfonietta | G Major | 0 | 9B | 79 BPM | ||
| Flight of The Angel (Behind The Mask) | Lauren Scott | B♭ Minor | 0 | 3A | 125 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: Introduction | Edward Elgar, The Orchestra Of Opera North, Martyn Brabbins | B♭ Minor | 0 | 3A | 125 BPM | ||
| 5 Pieces, Op. 75, "the Trees": No. 4, Koivu (the Birch) | Jean Sibelius, Ralf Gothoni | D♭ Major | 0 | 3B | 131 BPM | ||
| The Nightmare Song | Olive the Otter Dog | B Major | 0 | 1B | 166 BPM | ||
| Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | ||
| Early In the Morning | Ned Rorem, William Schimmel, Dwayne Burno, Ron Jackson, Lisa Kirchner, Joel Fan, Willie Jones III | A♭ Major | 3 | 4B | 116 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Stille Musik: II. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | ||
| Sing My Soul, His Wondrous Love | Ned Rorem, Choir of St. John's College, Cambridge, Andrew Nethsingha | E Major | 1 | 12B | 94 BPM | ||
| Ravel: Valses nobles et sentimentales, M. 61: No. 8, Épilogue. Lent | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | G Major | 0 | 9B | 66 BPM | ||
| Three Bach Transcriptions: Chorale "Agnus Dei" from Mass in B Minor | Johann Sebastian Bach, Simone Dinnerstein | C Major | 0 | 8B | 138 BPM | ||
| Abendstern, D. 806 (Arr. X. van Dijk for String Quartet) | Franz Schubert, Signum Quartet | G Minor | 0 | 6A | 85 BPM | ||
| Trauermusik | Paul Hindemith, Geraldine Walther, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 88 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| Janáček: On an Overgrown Path, Book I: No. 7, Good Night! | Leoš Janáček, Mikhail Rudy | A♭ Minor | 1 | 1A | 80 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM |