"In Dust" by Paul Pritchard, H. Parsley, Louis Edwards had its release date on March 21, 2016. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. In Dust's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Strings Reconstructed". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, In Dust's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With In Dust by Paul Pritchard, H. Parsley, Louis Edwards having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hearing Weird Noises In The Back Room | Joel Fausto & Illusion Orchestra | B♭ Minor | 5 | 3A | 120 BPM | ||
| Istinto, Pulsione | Stefano Protano | A Minor | 3 | 8A | 147 BPM | ||
| Soul Brothers | Jazz Noir Project | F Minor | 3 | 4A | 84 BPM | ||
| Une Petit Cellier | The Dale Cooper Quartet | A Minor | 1 | 8A | 71 BPM | ||
| Intimate | Trigg & Gusset | A Minor | 2 | 8A | 167 BPM | ||
| The Bridge (Midnight Walker) | Lowering | C Minor | 2 | 5A | 180 BPM | ||
| Dope Noir | Waldeck | A Major | 2 | 11B | 169 BPM | ||
| Audrey's Dance | Dmitri Matheny | D♭ Major | 1 | 3B | 74 BPM | ||
| The Catch | Christopher Young | A♭ Minor | 1 | 1A | 123 BPM | ||
| The Pine Float | Angelo Badalamenti | A♭ Minor | 4 | 1A | 72 BPM | ||
| Devil Heart, Pt. 2 | André Charlier, Daniel Diaz | B Minor | 4 | 10A | 121 BPM | ||
| 52nd Street | Midnight Smoke | G Minor | 0 | 6A | 157 BPM | ||
| White Eyes | The Kilimanjaro Darkjazz Ensemble | A♭ Major | 2 | 4B | 102 BPM | ||
| The Nothing Changes | The Kilimanjaro Darkjazz Ensemble | A♭ Major | 2 | 4B | 80 BPM | ||
| Main Title (from "Taxi Driver") | Bernard Herrmann | C Major | 2 | 8B | 80 BPM | ||
| Taxi Driver | Bernard Herrmann, J.A.C. Redford, Carl Allen, Kenny Kirkland, Reginald Veal, Joe Henderson, Terence Blanchard | C Major | 2 | 8B | 172 BPM | ||
| Sleepy New York | Sullivan Murphy | B♭ Major | 3 | 6B | 95 BPM | ||
| Winchester | Black Chamber | A Minor | 3 | 8A | 98 BPM | ||
| fragmented | Tingl. | B Minor | 6 | 10A | 98 BPM | ||
| 'Round Midnight | Die 12 Cellisten der Berliner Philharmoniker, Janne Saksala, Till Brönner | C Minor | 3 | 5A | 119 BPM | ||
| Cotard Delusion | The Kilimanjaro Darkjazz Ensemble | E Minor | 4 | 9A | 84 BPM | ||
| Jeannie Flashback | Lolita Ritmanis | C Minor | 1 | 5A | 67 BPM | ||
| Nightmare | Les Deux Love Orchestra | A Major | 4 | 11B | 75 BPM | ||
| Grotesco | Joel Fausto & Illusion Orchestra | A Minor | 1 | 8A | 121 BPM | ||
| I Smell a Rat | Peter McConnell | C Minor | 2 | 5A | 172 BPM |