George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp's 'Robin Hood, Act I: Ballad. Englishmen by birth (Robin)' had a release date set for October 4, 2011. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Robin Hood, Act I: Ballad. Englishmen by birth (Robin)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Macfarren, Ronald Corp, Victorian Opera Orchestra's "Macfarren: Robin Hood" album is number 9 out of 33. On top of that, Hong Kong appears to be the country where this track was created. Robin Hood, Act I: Ballad. Englishmen by birth (Robin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Robin Hood, Act I: Ballad. Englishmen by birth (Robin) by George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fögur er foldin | Anders Öhrwall, Matthías Jochumsson, Kór Langholtskirkju | E Minor | 0 | 9A | 84 BPM | ||
| I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM | ||
| Regem, cui omnia vivunt – Venite, exsultemus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| Lamb of God | The Concordia Choir, René Clausen | E Major | 1 | 12B | 121 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: IIb. Kyrie eleison | Edward Elgar, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | A Major | 1 | 11B | 70 BPM | ||
| Life of Christ, Renew Me | Margaret Rizza, Kevin Mayhew Ltd | A Major | 1 | 11B | 89 BPM | ||
| Mass in D Major, Op. 86 / Gloria: IIa. Gloria in excelsis Deo | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D♭ Minor | 0 | 12A | 108 BPM | ||
| Symphony No. 7 in C-Sharp Minor: I. Allegro con brio | George Macfarren, Queensland Philharmonic Orchestra, Werner Andreas Albert | A♭ Major | 1 | 4B | 126 BPM | ||
| Messe Solennelle, Op. 16 - Gloria | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A Major | 2 | 11B | 107 BPM | ||
| Magi viderunt stellam | Amici Cantores | G Minor | 1 | 6A | 97 BPM | ||
| Unto Thee Lift I Up Mine Eyes (Psalm 123) | William Crotch, James Anderson-Besant, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 1 | 9B | 65 BPM | ||
| Vexilla regis, WAB 51 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | F Major | 0 | 7B | 82 BPM | ||
| Care for Us, O God of Grace SHZ 377 | Laestadian Lutheran Church, Viena Kontkanen | B♭ Major | 0 | 6B | 129 BPM | ||
| Holy Spirit Mass: Together in Hope | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | A Major | 3 | 11B | 66 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| St. Patrick's Eucharist (Version for Choir & Organ): V. Agnus Dei | Philip Stopford, The Ecclesium Choir, Tristan Russcher | D Major | 0 | 10B | 105 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| Messe Cum Jubilo, Op. 11: I. Kyrie eléison | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Minor | 1 | 7A | 120 BPM | ||
| Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Mun kotini taivaassa ihana on (SL 260a) | Seuralaulu, SRK:n kuoro, SRK:n orkesteri, Juha Paukkeri | G Major | 1 | 9B | 171 BPM | ||
| Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | ||
| Mass of the Americas: III. Gloria | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | ||
| Like as the Hart Desireth the Water Brooks, So Longeth My Soul After Thee, O God (Psalm 42) | Samuel Wesley, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 126 BPM | ||
| When daisies pied | Studentenkoor Gica, George Macfarren | A Major | 1 | 11B | 69 BPM |