"The Telephone" by Randall Thompson, Robert Frost, One Voice Mixed Chorus, Jane Ramseyer Miller had its release date on June 29, 2012. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. The Telephone's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "old, new, borrowed, Q!". In this album, this song's track order is #5. In terms of popularity, The Telephone is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Telephone by Randall Thompson, Robert Frost, One Voice Mixed Chorus, Jane Ramseyer Miller having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blessed Be That Maid Mary | St Martin's Voices | F Major | 1 | 7B | 88 BPM | ||
| Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | E♭ Major | 0 | 5B | 77 BPM | ||
| O For a Thousand Tongues to Sing | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 1 | 10B | 167 BPM | ||
| Vespers, Op. 37: Rejoice, O Virgin | Sergei Rachmaninoff, Mykhaylo Tyshchenko, Yuri Korinnyk, National Choir Of The Ukraine "Dumka", Yevhen Savchuk, Olga Borusene | F Major | 1 | 7B | 140 BPM | ||
| Kodály: Mountain Nights: No. 1, Andantino | Zoltán Kodály, Ilona Andor, Kodaly Girls Choir | A Minor | 0 | 8A | 136 BPM | ||
| O Filii Et Filiae | Salt Lake Vocal Artists | A♭ Major | 1 | 4B | 134 BPM | ||
| Vespers (All-Night Vigil), Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | C Major | 3 | 8B | 78 BPM | ||
| O Lord, Be Gracious Unto Us | Drew Roth, Cantate Domino, Seth Bergey | D♭ Major | 1 | 3B | 134 BPM | ||
| L’ombra dei boschi d’Aser | Pietro Clausetti, Norrlands Nations Kammarkör, Francesco Acquista | D Major | 3 | 10B | 75 BPM | ||
| Elegy | Daniel Elder, Westminster Choir, Joe Miller | A Minor | 0 | 8A | 69 BPM | ||
| Considering Matthew Shepard, Passion: No. 15, We Are All Sons (Part 1) | Craig Hella Johnson, Michael Dennis Browne, Conspirare | E Major | 0 | 12B | 136 BPM | ||
| Corpus | Oscap | D Minor | 1 | 7A | 71 BPM | ||
| The Road Home | The University Of Utah Singers | F Major | 1 | 7B | 81 BPM | ||
| American Triptych: No. 2, The Peace of Wild Things | Jake Runestad, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 66 BPM | ||
| Ad te levavi | Dominik Dieterle, Junger Kammerchor Rhein-Neckar, Mathias Rickert | D Major | 0 | 10B | 86 BPM | ||
| The Beatitudes | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 66 BPM | ||
| David's Lamentation | Joshua Shank, University of South Dakota Chamber Singers, David Holdhusen | F Major | 3 | 7B | 137 BPM | ||
| Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | C Minor | 2 | 5A | 34 BPM | ||
| Out of This Darkness: No. 1, I Hold You | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | C Major | 2 | 8B | 76 BPM | ||
| The Last Words of David | Randall Thompson, Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt | G Major | 0 | 9B | 127 BPM | ||
| Entreat Me Not To Leave You | Salt Lake Vocal Artists | B♭ Minor | 2 | 3A | 79 BPM | ||
| The Peaceable Kingdom: II. Woe unto Them | Randall Thompson, James Burton, Oxford Schola Cantorum | D Minor | 0 | 7A | 85 BPM | ||
| Amen | Laestadian Lutheran Church, Anna-Kaisa Roiko | G Major | 1 | 9B | 148 BPM | ||
| Lord, for thy tender mercy's sake | Richard Farrant, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | A♭ Major | 0 | 4B | 78 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM |