Utah Symphony Orchestra's 'The Nutcracker, Act Ii, No. 12; Divertissement: Dance Of The Mirlitons (Reed Pipes)' had a release date set for August 22, 2006. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. The Nutcracker, Act Ii, No. 12; Divertissement: Dance Of The Mirlitons (Reed Pipes)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Tchaikovsky: Nutcracker Complete With Swan Lake Suite". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The Nutcracker, Act Ii, No. 12; Divertissement: Dance Of The Mirlitons (Reed Pipes) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nutcracker, Act Ii, No. 12; Divertissement: Dance Of The Mirlitons (Reed Pipes) by Utah Symphony Orchestra having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miniature Dance Suite, Op. 124: Jig | Cecil Armstrong Gibbs, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 71 BPM | ||
| Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
| Blue Tango | Maurice Abravanel, Utah Symphony Orchestra | D Major | 3 | 10B | 115 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | G Major | 0 | 9B | 59 BPM | ||
| Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
| Suite from Mam’zelle Angot, Act I: VII. Allegretto | Alexandre Lecocq, Estonian National Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 80 BPM | ||
| Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
| Sylvia: Intermezzo and Slow Waltz | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | D♭ Major | 0 | 3B | 73 BPM | ||
| Chabrier: Le roi malgré lui, Act 2: Fête polonaise | Emmanuel Chabrier, Michel Plasson, Orchestre Du Capitole De Toulouse | F Major | 1 | 7B | 61 BPM | ||
| Egmont, complete incidental music, Op. 84: vi. Entracte 3: Allegro. Marcia: Vivace | Beethoven, Maurice Abravanel, Walther Reyer, Utah Symphony Orchestra, Netania Davrath | E Minor | 2 | 9A | 82 BPM | ||
| Grieg: Suite from Peer Gynt No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Desire-Emile Inghelbrecht, Orchestre National Radiodiffusion Française | E Major | 1 | 12B | 183 BPM | ||
| 歌劇「妖精ヴィッリ」: 妖精たちの踊り | Giacomo Puccini, Bratislava CSR Symphony Orchestra, Ondrej Lenard | D Major | 2 | 10B | 61 BPM | ||
| Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
| Swan Lake Scene (Swan Theme) | The Regency House Orchestra | G Major | 3 | 9B | 93 BPM | ||
| Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
| Concerto For Dreams | Orchestral Music X, Marko Celesty | C Major | 0 | 8B | 110 BPM | ||
| Chants d'Auvergne: 2. Bailero - Live | Joseph Canteloube, Frederica von Stade, Utah Symphony Orchestra, Joseph Silverstein | B♭ Major | 1 | 6B | 93 BPM | ||
| Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | ||
| Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
| Capriol Suite: V. Pieds-en-l'air | Peter Warlock, Büyükada Ensemble, James Ross | G Major | 2 | 9B | 142 BPM | ||
| The Creatures of Prometheus, Op. 43: iii. Poco adagio; Allegro con brio | Beethoven, Maurice Abravanel, Utah Symphony Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| The Creatures of Prometheus, Op. 43: vi. Maestoso; Andante | Beethoven, Maurice Abravanel, Utah Symphony Orchestra | E Minor | 2 | 9A | 82 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| H.M.S. Pinafore: Overture | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra | C Major | 1 | 8B | 100 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIf. Final Scene from Faust. Äußerst langsam - Dir, der Unberührbaren (Live) | Gustav Mahler, Utah Symphony Orchestra, Mormon Tabernacle Choir, The Madeleine Choir School Choristers, Orla Boylan, Celena Shafer, Amy Owens, Charlotte Helekant, Tamara Mumford, Barry Banks, Markus Werba, Jordan Bisch, Thierry Fischer | E Major | 2 | 12B | 102 BPM |