Jonathan Atkinson's ' "Passionata" was released on its scheduled release date, June 24, 2016. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Passionata's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jonathan Atkinson,Louise Freeman's "Mellow Breakout: Smooth and Natural Tracks" album is number 16 out of 25. In terms of popularity, Passionata is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Passionata by Jonathan Atkinson to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sanvean - I Am Your Shadow | Lisa Gerrard | D Minor | 3 | 7A | 92 BPM | ||
| Allelujah (Arrangement of Theme by Martin Phipps) | Ruth Barrett, Gillie Mackenzie | F♯ Minor | 2 | 11A | 67 BPM | ||
| Love's Theme - From "Midnight Express" | Sacha Puttnam, The Classic Film Orchestra | A Minor | 9 | 8A | 142 BPM | ||
| Why Didn't She Just Go To the Police? | Hannes De Maeyer | F♯ Minor | 0 | 11A | 113 BPM | ||
| Le grand Voyage | Mathieu Coupat | B♭ Major | 2 | 6B | 71 BPM | ||
| Spiegel im spiegel | Arvo Pärt, Angèle Dubeau, La Pietà | F Major | 1 | 7B | 84 BPM | ||
| Night Cat | Jonathan Atkinson | E♭ Major | 6 | 5B | 99 BPM | ||
| Santiago de Compostela | Tyler Bates | E♭ Major | 0 | 5B | 173 BPM | ||
| Louisa Breaks Down | Ruth Barrett, Jon Wygens | E♭ Major | 2 | 5B | 74 BPM | ||
| Going To Boston | Marius de Vries | E Major | 3 | 12B | 121 BPM | ||
| Research 26.2 | Rob | C Major | 3 | 8B | 80 BPM | ||
| One Day I’ll Fly Away | Vaults | D♭ Minor | 1 | 12A | 74 BPM | ||
| Bullet Cut | Rick Smith | D Major | 3 | 10B | 108 BPM | ||
| The Path Towards Tomorrow | Damian Montagu | D Major | 2 | 10B | 142 BPM | ||
| Silent Witness Theme (Silencium) (From "Silent Witness BBC1") | John Harle | D Minor | 4 | 7A | 171 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| The Rider - Ending Suite | Nathan Halpern | F♯ Minor | 1 | 11A | 92 BPM | ||
| Siren (Theme from "Home Fires") | Samuel Sim | G Minor | 2 | 6A | 80 BPM | ||
| The Execution | George Fenton | F Major | 2 | 7B | 142 BPM | ||
| Bracelet | Peter Raeburn | A Minor | 1 | 8A | 111 BPM | ||
| Lead Kindly Light (Instrumental) | The Newton Brothers | E♭ Major | 0 | 5B | 70 BPM | ||
| Love With A Goodbye | Amy Wadge | E Major | 1 | 12B | 160 BPM | ||
| Twin Peaks | Daniel Caine Orchestra | F Major | 2 | 7B | 151 BPM | ||
| Winter Coat (Episode 3) | Olivia Broadfield | C Major | 2 | 8B | 121 BPM | ||
| Just Chillin | Jonathan Atkinson | D Major | 7 | 10B | 170 BPM |