On March 27, 2020, the song "Quatrième concert: III. La Rameau" was released by Jean-Philippe Rameau, Víkingur Ólafsson. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Quatrième concert: III. La Rameau's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 28 in Debussy – Rameau by Víkingur Ólafsson, Claude Debussy, Jean-Philippe Rameau. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Quatrième concert: III. La Rameau is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Quatrième concert: III. La Rameau by Jean-Philippe Rameau, Víkingur Ólafsson is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Summer in Mondsee (Allegretto in A Major) | Alma Deutscher | A Major | 0 | 11B | 109 BPM | ||
| Pour le piano, L. 95: I. Prélude | Claude Debussy, Víkingur Ólafsson | C Major | 2 | 8B | 109 BPM | ||
| Pièces de Clavecin, Livre II, 6e ordre: VI. Le Tic-Toc-Choc ou Les Maillotins | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 133 BPM | ||
| Sicilienne (Transcribed for Cello & Piano) | Maria Theresia von Paradis, Anastasia Kobekina, Vincent Boccadoro | D Minor | 2 | 7A | 182 BPM | ||
| Rondo Capriccioso In e Minor Opus 14 | Felix Mendelssohn, Bertrand Chamayou | E Major | 1 | 12B | 182 BPM | ||
| Prelude & Fugue in E Minor (Well-Tempered Clavier, Book I, No. 10), BWV 855: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | E Minor | 1 | 9A | 130 BPM | ||
| Concerto in A Minor, RV 356: III. Presto | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | A Minor | 3 | 8A | 135 BPM | ||
| Sonata No. 8, Hob. XVI:5: I. Allegro | Joseph Haydn, Jean-Efflam Bavouzet | E Major | 1 | 12B | 106 BPM | ||
| Suite No. 3 in D Minor, HWV 428: Adagio | George Frideric Handel, Murray Perahia | D Minor | 0 | 7A | 102 BPM | ||
| L'Ondine, Op. 101 | Cécile Chaminade, Anette Muller-Roos | E♭ Major | 1 | 5B | 80 BPM | ||
| Song Without Words In C Minor No.2 Opus 38, Book III | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 1 | 4B | 80 BPM | ||
| Études: No. 20 | Philip Glass, Víkingur Ólafsson | A Minor | 0 | 8A | 75 BPM | ||
| Piano Sonata in G Minor: IV. Finale. Presto - Allegro moderato e con espressione | Fanny Mendelssohn, Beatrice Rauchs | G Major | 2 | 9B | 109 BPM | ||
| Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
| Folk Song (After "Dumka" from Piano Quintet in A Major, Op. 81/B.155, No. 2) | Antonín Dvořák, Martin Stadtfeld | F♯ Minor | 0 | 11A | 104 BPM | ||
| Bunte Blätter, Op. 99: Fünf Albumblätter: No. 4 | Robert Schumann, Martin Stadtfeld | F Major | 0 | 7B | 134 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| 3 Romances, Op. 22: 3. Leidenschaftlich schnell | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | G Major | 1 | 9B | 89 BPM | ||
| Children's Corner, L. 113: 4. The Snow Is Dancing | Claude Debussy, Víkingur Ólafsson | D Minor | 1 | 7A | 131 BPM | ||
| Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 147 BPM | ||
| Variations sérieuses, Op. 54, MWV U156: Tema. Andante sostenuto | Felix Mendelssohn, Jan Lisiecki | D Minor | 0 | 7A | 135 BPM | ||
| Love Token | Elena Kats-Chernin, Tamara Anna Cislowska | C Major | 3 | 8B | 112 BPM | ||
| Études: No. 14 | Philip Glass, Víkingur Ólafsson | A♭ Major | 1 | 4B | 80 BPM | ||
| Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | ||
| Concerto in F Major, S. 234: I. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM |