The Ataris's 'The Night That The Lights Went Out In NYC' had a release date set for June 18, 2004. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Spider-Man 2 - Music From And Inspired By". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, The Night That The Lights Went Out In NYC's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Night That The Lights Went Out In NYC by The Ataris having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| And We All Become Like Smoke | The Ataris | A Major | 7 | 11B | 133 BPM | ||
| Jimmy Shaker Day | Oleander | F♯ Major | 10 | 2B | 156 BPM | ||
| A Song For Everyone | Fenix TX | E♭ Major | 10 | 5B | 162 BPM | ||
| The Sound | Further Seems Forever | A♭ Major | 10 | 4B | 138 BPM | ||
| Rough Landing, Holly | Yellowcard | E Major | 10 | 12B | 175 BPM | ||
| Connections Are More Dangerous Than Lies | The Ataris | F Major | 9 | 7B | 136 BPM | ||
| I Feel So | Box Car Racer | D Major | 10 | 10B | 143 BPM | ||
| Decisions, Decisions | The Starting Line | G Major | 9 | 9B | 179 BPM | ||
| I Melt with You | Mest | E Major | 9 | 12B | 94 BPM | ||
| Right Before Your Eyes | Hoobastank | F♯ Major | 7 | 2B | 166 BPM | ||
| Worlds Away | From First To Last | B♭ Minor | 10 | 3A | 171 BPM | ||
| Weatherman | +44 | F Major | 7 | 7B | 150 BPM | ||
| Stolen | Dashboard Confessional | E♭ Major | 8 | 5B | 102 BPM | ||
| Good Day | Angels & Airwaves | B Major | 8 | 1B | 154 BPM | ||
| Bleeding Heart | Acceptance | E Minor | 7 | 9A | 168 BPM | ||
| God and Mars | Days Away | C Major | 9 | 8B | 136 BPM | ||
| Firewater | Yellowcard | E Major | 10 | 12B | 97 BPM | ||
| Playing For Keeps | Matchbook Romance | E Major | 5 | 12B | 79 BPM | ||
| Quiet Burn | Durangos Heros | D Minor | 3 | 7A | 130 BPM | ||
| Snowbirds And Townies | Further Seems Forever | C Minor | 9 | 5A | 182 BPM | ||
| Patrick | June | D♭ Major | 10 | 3B | 160 BPM | ||
| Radio #2 | The Ataris | B Major | 10 | 1B | 173 BPM | ||
| I- IV- V | Injected | D Major | 10 | 10B | 90 BPM | ||
| Sometimes Your Best Isn't Good Enough | The Churchills | D♭ Minor | 9 | 12A | 112 BPM | ||
| All the Rage | Funeral For A Friend | F♯ Major | 10 | 2B | 95 BPM |